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Ji Chang-wook Lands His First Joint Korea-Japan Romance as Imada Mio in a First-Ever Collaboration… Disney+ Release in October

Ji Chang-wook Lands His First Joint Korea-Japan Romance as Imada Mio in a First-Ever Collaboration… Disney+ Release in October

'Mary Berry Love' pairs a space planner and a strawberry farmer daughter in its latest romance… CJ ENM and Nippon TV’s first joint production
The opening act of a romance that transcends borders… a new milestone in the Korea-Japan content alliance The Hallyu star 'Ji Chang-wook' is ramping up his global push by landing the lead role in his first-ever joint Korea-Japan drama since his debut.
| James choi
[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

I am drawn to music in films. Music often conveys a character's intimate emotions in ways images and dialogue cannot, and it can open a window onto a creator's hidden intent. For me, understanding a film's music has been one way into the film itself.
| Chua-young
CJ CGV Shares Jump 13% in Summer Blockbuster Streak — “Hope” Inches Toward 4 Million

CJ CGV Shares Jump 13% in Summer Blockbuster Streak — “Hope” Inches Toward 4 Million

Up 13.63% to 5,420 won from the previous trading day — “Spider-Man” Draws 680,000 on Its First Day and Christopher Nolan’s New Film Is Next
“Hope” and “Spider-Man” power double wins… A reshuffle looms for entertainment stocks The capital markets moved quickly after a string of tentpole blockbusters that swept through the summer theater season. In early trading on the 30th, shares of Korea’s biggest multiplex operator, CJ CGV, surged...
| James choi
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...
| James choi
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
| James choi
Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

After 〈Spider-Man: No Way Home〉 wiped Peter Parker from everyone’s memory, 〈Spider-Man: Brand New Day〉 sends him into a lonelier, heavier new chapter — following Spider-Man, now living like a Marvel version of the reality series 'I Live Alone,' as he encounters a new enemy.
| Seongchan Eol
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol