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[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark“Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
| James choi
Why 'Toy Story 4,' the Series' Lowest-Rated Entry, Still Worked for Me as a Sequel

Why 'Toy Story 4,' the Series' Lowest-Rated Entry, Still Worked for Me as a Sequel

After seven years, the toy gang returns to theaters. Pixar Animation Studios' flagship franchise and a leading force in 3D animation, 〈Toy Story〉, was scheduled to open on June 17. The Toy Story series — which took 11 years between parts 2 and 3, nine years between parts 3 and 4, and seven years...
| Seongchan Eol
4K Remastered ‘Kairo’ Still Unveiled! Y2K-Era Horror Thriller from Master Suspense Director Kiyoshi Kurosawa

4K Remastered ‘Kairo’ Still Unveiled! Y2K-Era Horror Thriller from Master Suspense Director Kiyoshi Kurosawa

〈LANGLE_BRACKET_BRACKET〉Cure〈RANGLE_BRACKET_BRACKET〉 and 〈LANGLE_BRACKET_BRACKET〉Sakebi〈RANGLE_BRACKET_BRACKET〉, 《Strangled Cry》 and《Kairo》 are considered part of Kiyoshi Kurosawa’s horror trilogy.
“Ryōsuke,” who discovers a strange website, and “Michi,” who witnesses the deaths of his companions—together, the two films capture the collapse of the world they face and a massive death circuit in the end-of-the-century horror thriller 〈LANGLE_BRACKET_BRACKET〉Kairo〈RANGLE_BRACKET_BRACKET〉.
| Joo Seong-cheol
Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

Yeon Sang-ho, who serves as executive producer and screenwriter, will reboot 〈Gas Man No. 1〉 (1960) as a Netflix series made up of 8 episodes.
Netflix has released the main trailer and key art for 〈Gas Man〉, a Netflix series slated for worldwide release on July 2, 2026. 〈Gas Man No. 1〉 (1960), the legendary film, will be rebooted as a Netflix original Japanese series with a total of 8 episodes.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
| Seongchan Eol
Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Another Nicolas Cage resurgence has arrived — and no, this isn’t about stocks. Strong early reaction to 〈Spider-Man Noir〉 has put the actor’s long-running superhero fandom back in the spotlight. This article introduces anecdotes about Nicolas Cage, who is known in Hollywood as a prominent superhero...
| Seongchan Eol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi