Search results for "Will Yun Lee"

Director Choi Guk-hee's crime film 〈TAZZA: The Song of Beelzebub〉 released a behind-the-scenes video on the 25th highlighting the work of its cast and crew. The film is distributed by CJ ENM and produced by Sidus. It is set to open on September 23.

Actor Jeong Yun-ha reflected on her turn as the villain Kusunagi Jin in Disney+ original series 〈A Shop for Killers〉 Season 2, sharing affection and reflections in a post-finale Q&A released by Saram Entertainment on the 18th, after all Season 2 episodes were made available on the 12th.

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .

Director Christopher Nolan's 〈Odyssey〉 boasts an unusually star-studded ensemble. From Matt Damon to Anne Hathaway, Tom Holland, Zendaya, Robert Pattinson, Charlize Theron and Lupita Nyong'o, it's rare even in Hollywood for so many high-profile names to appear together.

The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.