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Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to Venice Director Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
Lee Chang-dong's 'Possible Love' Invited to Toronto Film Festival's Special Presentations

Lee Chang-dong's 'Possible Love' Invited to Toronto Film Festival's Special Presentations

Starring Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jung; first-look stills released
Lee Chang-dong's first film in eight years, the Netflix feature 〈Possible Love〉, has been officially invited to the Special Presentations section of the 51st Toronto International Film Festival. 〈Possible Love〉 follows two couples—a laid-off worker and his wife, and a documentary director and her...
Lee Chang-dong’s First New Film in 8 Years, “Possible Love,” Invited to Toronto With Jeon Do-yeon and Sol Kyung-gu

Lee Chang-dong’s First New Film in 8 Years, “Possible Love,” Invited to Toronto With Jeon Do-yeon and Sol Kyung-gu

Netflix’s official selection for the Special Presentations section at the Toronto International Film Festival, opening Sept. 10—set to be released worldwide via the streaming platform
The return of a master filmmaker and an anatomy of secret desire—breaking eight years of silence One of South Korea’s most influential film figures, director ‘Lee Chang-dong’, is breaking a long silence of eight years and stepping onto the global stage before cinephiles worldwide.
'Home Alone 2' cooing 'pigeon lady' Brenda Fricker dies at 81

'Home Alone 2' cooing 'pigeon lady' Brenda Fricker dies at 81

She won the 1989 Oscar for best supporting actress for 'My Left Foot' and later became a household favorite worldwide with 'Home Alone 2,' dying at 81
Irish-born actress Brenda Fricker, who won hearts worldwide as the "Pigeon Lady" character helping Kevin in the film 'Home Alone 2,' has died at age 81. U.S. entertainment outlet Page Six reported on the 17th that Fricker passed away on the night of the 16th in Dublin, Ireland, following a long...
3 Apple TV Soccer Picks to Watch Before the World Cup Ends

3 Apple TV Soccer Picks to Watch Before the World Cup Ends

The world’s festival of football — and, for South Koreans, a somewhat bittersweet one — the 2026 FIFA World Cup in North America has reached its final stages. The global tournament, featuring national teams from 32 countries, opened in June 2026 and has delivered high-stakes showdowns among the...
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Built in 1953 after the “Sekkipmei Fire,” the sprawling public housing complex known as “Mei Ho House” became the stage for 〈A Better Tomorrow〉.
Cineplay and House Travel teamed up for a Hong Kong movie tour, their fifth trip. The core theme of this tour was the meeting of Hong Kong’s past and present through film. From John Woo’s 〈A Better Tomorrow〉 (1990), set in 1960s Hong Kong and starring Tony Leung Chiu-wai, to 〈The King of Comedy〉...
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.