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‘Chuseok at Home’ roundup: Lee Seung-chul’s KBS concert, ‘The Man Who Lives With the King’ TV premiere, Hana Bank-invited national team soccer, Lee Eun-gyeol magic ...!

‘Chuseok at Home’ roundup: Lee Seung-chul’s KBS concert, ‘The Man Who Lives With the King’ TV premiere, Hana Bank-invited national team soccer, Lee Eun-gyeol magic ...!

The 16.92 million-viewer hit airs exclusively on SBS on Sept. 26, while Wavve premieres ‘The Witness’ and livestreams two national team friendlies
Lee Seung-chul’s 40th anniversary and ‘The Man Who Lives With the King’ — TV’s first exclusive Chuseok premieres 16.92 million-viewer blockbuster airs on Sept. 26 as Wavve and Netflix face off with original releases This year’s Chuseok holiday lineup is packed with must-see programming, from a...
'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

From 'Salmokji,' the all-time No. 1 film that surpassed 'A Tale of Two Sisters,' to 'Obsession,' which earned 660 times its budget, here's the fall theater lineup
'Obsession' delivers 660-fold return… The secret behind horror's box office breakthrough beyond summer rules 'Salmokji' tops 3.24 million viewers to become the all-time No. 1, with 'Alpha,' opening Sept. 30, taking aim at year-round success Movie theaters are enjoying an unusual horror-film boom...
‘Obsession’ Surpasses 700,000 Admissions, Fueled by Buzz and Repeat Viewings!

‘Obsession’ Surpasses 700,000 Admissions, Fueled by Buzz and Repeat Viewings!

The film follows the horrifying love story of a man and woman who become a couple after spending the night wishing upon the “One Wish Willow,” a stick that grants any wish.
The film 〈Obsession〉 has surpassed 700,000 admissions and continues its strong run at the box office. According to the Korean Film Council’s integrated ticketing system, 〈Obsession〉 recorded 701,713 admissions as of 6:20 a. m. Monday, Sept. 21, crossing the 700,000 mark.
[Box Office] Choi Min-sik and Han So-hee's 'The Intern' pulls off upset over Nolan's 'The Odyssey,' tops 275,000 in opening week

[Box Office] Choi Min-sik and Han So-hee's 'The Intern' pulls off upset over Nolan's 'The Odyssey,' tops 275,000 in opening week

Hollywood remake surpasses 400,000 admissions and takes the box-office crown from a blockbuster foreign film with 11.21 million admissions
The remake 'The Intern', starring Choi Min-sik and Han So-hee, completely upended the box-office standings over its opening weekend. Generational casting proves explosive, takes over the screen According to data from the Korean Film Council's integrated ticketing network on the 21st, 'The Intern'...
Christopher Nolan's 'The Odyssey' tops 11 million admissions in 45 days, sixth foreign film ever

Christopher Nolan's 'The Odyssey' tops 11 million admissions in 45 days, sixth foreign film ever

Holds 21.6% of advance bookings as it chases 'Avengers: Infinity War' record
Mythic direction and overwhelming immersion fuel The Odyssey's 11 million-admission box office run The ambitious 'The Odyssey' from acclaimed director 'Christopher Nolan' crossed 11 million admissions on its 45th day in theaters, March 18, setting a new benchmark for sustained box office success.
‘Chiikawa’ Scores 13.9 Billion Yen, First Movie Opens on the 30th After Captivating 9.6 Million With Its Chilling Edge

‘Chiikawa’ Scores 13.9 Billion Yen, First Movie Opens on the 30th After Captivating 9.6 Million With Its Chilling Edge

The Japanese film grossed 13.9 billion yen, with creator Nagano contributing to the screenplay as subtitled and Korean-dubbed versions open simultaneously
First movie draws 9. 6 million viewers with the chilling edge of the original “Sirens Arc” The first theatrical animated film based on “Chiikawa”, the phenomenon that shook Japan, “Chiikawa the Movie: The Secret of Mermaid Island” will officially hit South Korean theaters on the 30th.
Choi Min-sik, Han So-hee’s ‘The Intern’ dethrones 10 million-ticket hit ‘The Odyssey’ with 61,000 opening-day admissions

Choi Min-sik, Han So-hee’s ‘The Intern’ dethrones 10 million-ticket hit ‘The Odyssey’ with 61,000 opening-day admissions

Box office leader changes hands for first time in 42 days as CGV Egg Score signals strong start at 95%
Cross-generational ensemble shakes up the box office A cross-generational ensemble led by Choi Min-sik, a towering figure in South Korean cinema, and rising star Han So-hee has upended the box office. The new film ‘The Intern’ drew more than 60,000 moviegoers on its opening day, surpassing...
Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

The film opened on 1,560 screens across North America and took No. 2 at the box office behind Christopher Nolan’s latest; Jo In-sung and Jung Ho-yeon complete New York red-carpet appearance
Film grosses more than $5 million in opening week, heads to Austin and San Francisco after New York ‘Hope’, the latest film from director Na Hong-jin, is sweeping North American theaters and setting the biggest box-office record for a Korean film since ‘Parasite.
Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan has surprised audiences again. Director Christopher Nolan's new film 〈Odyssey〉 surpassed 10 million admissions on September 6. To mark the milestone, Cineplay’s reporters revisited the questions and reservations the film left with each of us.
[Kim Ji-yeon’s Jewel Box] Yun Sang-jung, a Defining Face for Gen Z

[Kim Ji-yeon’s Jewel Box] Yun Sang-jung, a Defining Face for Gen Z

I'm curious about people. Even actors who already attract attention can be at a low ebb — Kim Ji-yeon's Jewel Box introduces performers whose profiles keep rising; consider it a 'buy-the-dip' guide to spotting breakout talent.
Does an actor grow by meeting the right director, landing the right project and learning alongside more seasoned performers. There was a time when television dramas and films were almost the only stages for actors to develop.