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‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

A perfectly strange love story set in a world where people become animals if they can’t fall in love within 45 days—and find their destined partners in a place where love is forbidden.
〈The Lobster〉 ​※ This article continues from the first installment on the re-release of 〈The Lobster〉 and the film world of Yorgos Lanthimos. (4) 〈The Lobster〉 and the secret of its final scene The most controversial aspect of 〈The Lobster〉 was its final scene: Did David run away and leave behind...
| Joo Seong-cheol
‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

A perfectly strange love story about a world where people turn into animals if they can’t find love within 45 days—and where two people meet their destined match in a place where love is forbidden.
​ (1) 〈The Lobster〉, the first Yorgos Lanthimos protagonist to finally have a name Before directing 〈The Killing of a Sacred Deer〉 (2017) and 〈The Favourite〉 (2018), Yorgos Lanthimos’s characters never had names.
| Joo Seong-cheol
3rd Seoul Arthouse Film Festival Unveils 15 Films; Cannes Competition Entry ‘The Unknown’ Named Opening Film

3rd Seoul Arthouse Film Festival Unveils 15 Films; Cannes Competition Entry ‘The Unknown’ Named Opening Film

From Cannes, Berlin and Venice buzz titles to restored classics by Melville and Satyajit Ray… Festival opens Nov. 19
The 3rd Seoul Arthouse Film Festival has unveiled its 15-film lineup ahead of its opening on Nov. 19. Hosted by M&M International Co. , Ltd. , the festival will run for four days, from Thursday, Nov. 19, to Sunday, Nov.
| Kim Ji-yeon
Jung Woo-sung Transforms Into Ruthless Han Myeong-hoe… ‘Sal Saeng Bu’ Begins Filming on the 5th, Set for Release Next Year

Jung Woo-sung Transforms Into Ruthless Han Myeong-hoe… ‘Sal Saeng Bu’ Begins Filming on the 5th, Set for Release Next Year

Based on the Webtoon of the Same Name and Directed by Kim Hong-sun, the Film Confirms a Star-Studded Cast Including Jung Sung-il and Baek Yoon-sik
The Prelude to a Bloody Power Struggle: A Hard-Boiled Historical Action Drama Is Born Actor Jung Woo-sung will portray Han Myeong-hoe, Joseon’s most powerful figure, in his new film Sal Saeng Bu, bringing a chilling charisma to the role.
| James choi
Erotic Cinema Master Tinto Brass Dies at 93; His Books Include ‘In Praise of the Behind’

Erotic Cinema Master Tinto Brass Dies at 93; His Books Include ‘In Praise of the Behind’

After his 1963 debut, he pioneered an experimental aesthetic and leaves behind films restored in 4K
A gaze exploring human nature and desire, and a lasting mark on the screen Director Tinto Brass, regarded as a master of Italian erotic cinema, has died at 93. Italian media outlets, including the ANSA news agency, reported on the 4th that he died in Rome.
| James choi
Actor Sim Su-bin Wins Best New Performer at Asia Pacific Screen Awards for ‘The World Before,’ Cementing Her Status as a Rising Star in Korean Cinema

Actor Sim Su-bin Wins Best New Performer at Asia Pacific Screen Awards for ‘The World Before,’ Cementing Her Status as a Rising Star in Korean Cinema

Sim delivers a nuanced performance in director Yoon Dan-bi’s new film; wins international award just one year after her debut
Actor Sim Su-bin has proved herself one of the most promising newcomers in Korean cinema, taking home an international film award for 〈The World Before〉, directed by Yoon Dan-bi. Sim won the Best New Performer award at the 19th Asia Pacific Screen Awards , held in Australia on October 30.
| Kim Ji-yeon
[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

I’m drawn to objects in movies. I find myself wondering why a director, cinematographer, production designer or actor would put a particular object in front of the camera. ‘Chul-cheol Joo’s Locker’ is a record of the objects in movies that have caught my eye.
Welcome to Stephen Chow’s world. If you’ve fallen for Chow’s movies after seeing the recent rerelease of 〈Kung Fu Hustle〉(2004), the next films I’d recommend are the two 1995 movies that die-hard Chow fans collectively call 〈A Chinese Odyssey〉: 〈A Chinese Odyssey Part One: Pandora’s Box〉(hereafter...
| Joo Seong-cheol
[Box Office] ‘Chiikawa’ Holds No. 1 for Fourth Straight Week, Surpassing 2.58 Million Admissions

[Box Office] ‘Chiikawa’ Holds No. 1 for Fourth Straight Week, Surpassing 2.58 Million Admissions

Claims 32.1% of weekend box office revenue and posts a 19.6% advance-ticket sales rate
Strong fan support fuels an anime boom at the box office Japanese animated film ‘Chiikawa the Movie: The Secret of Mermaid Island’ held on to the No. 1 spot at the weekend box office for a fourth consecutive week, demonstrating its staying power. According to data released Nov.
| James choi
Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Series runs in Los Angeles through Nov. 14, following tributes to Song Kang-ho and Youn Yuh-jung
‘A master of subtle, versatile performances’ meets U. S. audiences The Academy Museum of Motion Pictures is presenting a special screening series spotlighting acclaimed Korean actor Park Hae-il. The Los Angeles museum officially announced that the program will run from Oct. 29 through Nov.
| James choi
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
| 이화정