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[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
Lim Young-woong Fan Club 'Hero Age' Marks 10 Years With Another Wave of Warmth—Donates 8.08 Million Won Blankets

Lim Young-woong Fan Club 'Hero Age' Marks 10 Years With Another Wave of Warmth—Donates 8.08 Million Won Blankets

Sends 165 summer comforters to vulnerable households in Donghae, Gangwon—continuing giving that followed last year's 5 million won donation
'A decade of emergency,' the standards of fan culture shaped through sharing Singer 'Lim Young-woong' is setting a new milestone in the history of popular music in South Korea. As his fans mark the 10th anniversary of his debut, their trail of support is landing with a heavy resonance in the local...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
aespa Unveils Japan’s First Mini Album ‘KISS N TELL’ in a Surprise Release, Shedding ‘Metal Taste’ for Refreshing Pop Energy

aespa Unveils Japan’s First Mini Album ‘KISS N TELL’ in a Surprise Release, Shedding ‘Metal Taste’ for Refreshing Pop Energy

At midnight on the 24th, aespa releases all tracks’ audio and a music video for the title song simultaneously The 6-track set also includes a house-based dance pop title track, along with a range of songs such as anime and drama OSTs aespa is set to take the stage at the U.S. ‘2026 Lollapalooza Chicago’ on August 2, heating up the global stage
The rookie group aespa (æspa) released the full track audio and a music video for the title song of its first Japan mini album, ‘KISS N TELL,’ at midnight on the 24th. Title track ‘KISS N TELL’ embraces a refreshing, quirky pop sensibility instead of ‘Metal Taste’ The title track ‘KISS N TELL,’...
3만 5천 won Tickets Sell Out Too…Backstage Tour Craze Sweeps Performance Venues, Secrets and Air Beyond the Curtain

3만 5천 won Tickets Sell Out Too…Backstage Tour Craze Sweeps Performance Venues, Secrets and Air Beyond the Curtain

Seongnam Arts Center, Sejong Center for the Performing Arts, and other major venues have evolved their tours with behind-the-stage access, rehearsal-room reveals, and hands-on programs—igniting runaway popularity
Secrets beyond the curtain, stealing the audience’s curiosity The iron gate that had been tightly shut behind the stage has opened. The era of passively admiring completed art is over. The performing arts world now faces a new paradigm—'Backstage Tour'—an exploration of what lies behind the stage.
[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

SF film “Hope,” starring Hwang Jung-min and Jo In-sung, makes rounds at the GV event… “Awe-inspiring suspense and surprising exhilaration”
A master filmmaker’s praise, opening a new horizon for Korean science fiction “I kept my eyes on the screen, even amid a runaway rush of excitement. ” Global maestro “Bong Joon-ho” offered the rousing tribute after he met “Na Hong-jin”’s latest work “Hope”.
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
A Meeting of K-Pop and Classical Music… Ryeowook and Wendy Take the Stage in the “SMClassics Tour”

A Meeting of K-Pop and Classical Music… Ryeowook and Wendy Take the Stage in the “SMClassics Tour”

Starting in Singapore and running through Thailand, Vietnam, and Canada, the “SMClassics” global tour
Breaking the Boundaries Between Classical and K-Pop: The Opening Chapter of the “SMClassics” Global Tour K-Pop’s limitless expansion meets the grandeur of classical music. Under SM Entertainment, the classical and jazz label “SMClassics” teams up with K-Pop’s distinctive vocalists “Super Junior...