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Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still. Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Kim Ji-yeon
IDID Kim Min-jae ‘Ilbe controversy’ spreads... Agency says it was a simple mistake

IDID Kim Min-jae ‘Ilbe controversy’ spreads... Agency says it was a simple mistake

The uproar stems from an upside-down caption in the video and the use of certain words tied to the Ilbe rumor. The agency dismissed it, saying, “It’s a simple mistake, and there was no specific intent.”
Is it a swamp of speculation—or a fatal blunder. . . . Newcomer ‘IDID’ ‘Kim Min-jae’ breaks through the ‘Ilbe’ frame head-on A rookie group that just stepped into the K-pop scene, ‘IDID’ , ran into an unexpected, rough obstacle as key member ‘Kim Min-jae’ faced a wave of accusations.
| James choi
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2.
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Photo &] A Red Tide Swallows the Desert Night, Seizes Las Vegas — BTS “Arirang” Tour Scene That Set 60,000 ARMYs on Fire

[Photo &] A Red Tide Swallows the Desert Night, Seizes Las Vegas — BTS “Arirang” Tour Scene That Set 60,000 ARMYs on Fire

BTS brings traditional Korean music instead of the usual knife-dance choreography, captivating 60,000 fans who transcend generations and race.
A red tide that swallowed the desert night, takes over Las Vegas The heart of global entertainment—Las Vegas in the United States—was fully engulfed by the massive red wave unleashed by 'Bangtan Sonyeondan'. Landmarks that stitched across the city skyline blasted red lights one after another, and...
| James choi