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Search results for "Korean Film Week"

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
A Netflix Non-English Series Goes Straight to No. 1 Worldwide After the Controversy—Kim Mu-yeol’s “Chameukyo” Sparks a Box-Office Surge

A Netflix Non-English Series Goes Straight to No. 1 Worldwide After the Controversy—Kim Mu-yeol’s “Chameukyo” Sparks a Box-Office Surge

A crisp action story that moves past the original’s controversy. “Chameukyo,” which claimed global No. 1 within three days of release, and the K-content wave.
Over the controversy’s waves, ‘Chameukyo’, sweeps the world with a global hammer blow The ‘Chameukyo’ Netflix original series starring actor ‘Kim Mu-yeol’ has seized the top spot in the global non-English TV category.
| James choi
[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

A fresh fantasy that blends cooking, games, and the military, topped the No. 1 spot in the number of paid subscribers who contributed
A military fantasy gripping a kitchen knife instead of a gun writes a new chapter in box-office success The military—an institution that reflects the solid hierarchy of South Korean society—is evolving. Departing from the one-size-fits-all barracks routines, the camera now zeroes in on special...
| James choi
'The Shrine: Demonic Whispers' Kim Jae-joong Confirms a String of Meet-and-Greets Around June Release After Full-Soldout Theaters

'The Shrine: Demonic Whispers' Kim Jae-joong Confirms a String of Meet-and-Greets Around June Release After Full-Soldout Theaters

A new occult horror film from director Kumikiri Kazuyoshi—whose premiere screening sold out all seats—with Korean-set shamanistic lore A no-gap audience-communication relay spanning a stage greeting and GV on the eve of release, down to a mini GV on opening day Stage greetings across Seoul’s major theater districts over the release weekend—including Yeongdeungpo, Yongsan, Hongdae, Wangsimni, and Gangnam—are confirmed in full
〈The Shrine: Demonic Whispers〉 locked in its schedule before and after release, driven by a hot response. Ticket power proven by a full sellout at the premiere screening In 〈The Shrine: Demonic Whispers〉, three college students who go on a field trip to a deserted Shinto shrine in Kobe, Japan,...
| Seongchan Eol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolution The overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
| James choi
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor “To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi