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[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
'Muju Sanggol Film Festival' Next Actor Hyeri Wraps Up Meaningful 2 Nights and 3 Days—Top-Tier Communication From Exhibits to GV

'Muju Sanggol Film Festival' Next Actor Hyeri Wraps Up Meaningful 2 Nights and 3 Days—Top-Tier Communication From Exhibits to GV

Hyeri is selected as the eighth 'Next Actor' for the 14th Muju Sanggol Film Festival, making a splash with a wide range of moves from the opening ceremony self trailer to the theater; she also forges a deep bond with fans through a special exhibition featuring work behind the scenes, 'Actually, Lee Hye-ri Hasn’t Even Started Yet'; and she returns to TV in ENA’s new Monday-Tuesday drama 'Dream to You' premiering July 13 as Joo I-jae
Singer and actress Hyeri said she was selected as the 'Next Actor' for the 'Muju Sanggol Film Festival,' and that she took part directly in various programs—including talking with audiences—sharing her thoughts on the experience.
| Seongchan Eol
First Reactions: Cineplay’s Rating for 〈The Shrine: Whisper of the Evil Spirit〉

First Reactions: Cineplay’s Rating for 〈The Shrine: Whisper of the Evil Spirit〉

[First Reactions]Opening on the 17th, 〈The Shrine: Whisper of the Evil Spirit〉 is a Korean-Japanese shamanic occult horror film about three college students who vanish after visiting an abandoned shrine in Kobe, Japan, and a shaman named Myeong-jin (Kim Jae-joong) who investigates the case and...
| Kim Ji-yeon
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

Director Kore-eda Hirokazu introduced his new film 〈Sheep in the Box〉 at a June 4 press briefing at Megabox COEX in Seoul, joined by child actor Kuwaki Rimu, who plays the humanoid Kakeru. Known for his warm yet incisive take on alternative families, Kore-eda returns with a film that extends his...
| Chua-young
[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

※〈The Legend of Kitchen Soldier〉 actor Park Ji-hoon's interview continues from Part 1. 〈The Legend of Kitchen Soldier〉 features many well-known comedic actors. In particular, the chemistry with Lee Hong-nae, who plays Sergeant Yoon Dong-hyun, stood out.
| Kim Ji-yeon
Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

New mystery from director Yu Eun-jeong stars Park So-yi and Yuna and screened in the Vision section of the 30th Busan International Film Festival
Actor Im Su-jeong will make her producing debut with 〈The Second Child〉, which is set for a nationwide theatrical release in July. Distributor Thunder Film released the first production stills on July 1.〈The Second Child〉 is the new film from director Yu Eun-jeong, who directed The Night's Door...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol