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[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
| Joo Seong-cheol
Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Opening June 24, 〈Supergirl〉 is the second theatrical outing in James Gunn's DC Universe and a loose follow-up to 2025's 〈Superman〉. With the DCU's No. 2 batter stepping up to the plate, the film poses the question of whether it can properly continue the DCU's momentum.
| Seongchan Eol
Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

I am captivated by music in film. Music often conveys a character's intimate emotions that images and dialogue alone cannot fully express. It can be a window into a creator's hidden intent. For me, understanding film music is one path to understanding the film itself.
| Chua-young
[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark “Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
| James choi
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
Master of Illusion Ridley Scott Wins Oscar Honor at Last

Master of Illusion Ridley Scott Wins Oscar Honor at Last

Scott, a director with a 60-year path in film who never had ties to the Academy Awards, earns recognition for a lifetime of work
The King of Untethered Vision Finally Grabs a Golden Oscar After more than half a century, 'Ridley Scott', the maestro who reshaped Hollywood's landscape, has at last broken the Academy's long-standing indifference and earned the honor of an achievement award.
| James choi
Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

[First Reactions] Today is Disclosure Day: Steven Spielberg’s new sci-fi film 〈Disclosure Day〉 opens in theaters, and Cineplay reporters Sung Chan-eol and Kim Ji-yeon share their first impressions after a press screening.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

Renaming the previous “Korean Fantastic” to broaden genre diversity, the festival selects 10 Korean feature films From horror and thrillers to crime dramas, plus sci-fi, comedy, and animation—an eclectic mix of genres and original directing The festival will meet film fans worldwide at screening venues across Bucheon from July 2 to 12, for 10 days
The Bucheon International Film Festival has announced invited films for its Korean competition section after reaching its 30th edition. The 30th Bucheon International Fantastic Film Festival, which opens on July 2, announced 10 invited titles on June 1.
| Seongchan Eol