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‘Rookie Coach Kim Yeon-koung 2’ Effect: Kim Yeon-koung Tops K-Brand Index, Surpassing Oh Eun-young and Jang Hang-jun

‘Rookie Coach Kim Yeon-koung 2’ Effect: Kim Yeon-koung Tops K-Brand Index, Surpassing Oh Eun-young and Jang Hang-jun

Asia Brand Research Institute’s big data analysis of the K-Brand Index’s Expert Entertainer category ranks volleyball queen Kim Yeon-koung No. 1 Her charismatic leadership on variety show ‘Rookie Coach Kim Yeon-koung 2,’ which topped a 5% viewership rating, is driving buzz Dr. Oh Eun-young and director Jang Hang-jun ranked second and third, respectively, demonstrating the powerful reach of expert entertainers
Kim Yeon-koung surged to No. 1 in the Brand Index’s entertainment category. According to the K-Brand Index’s Expert Entertainer category, released Nov. 6 by big data analytics firm Asia Brand Research Institute, former volleyball player and television personality Kim Yeon-koung ranked No. 1.
'2030 Youth Film Festival' Opens Nov. 24, Showcases 40 Standout Youth Films Selected From Record 992 Entries

'2030 Youth Film Festival' Opens Nov. 24, Showcases 40 Standout Youth Films Selected From Record 992 Entries

Five-day festival runs through Nov. 28 at Arirang Cine Center…Swedish and AI showcases, plus eight new films premiering
A vision of the future rising from reality…from domestic premieres to AI experiments, all in one place The vivid voices of young creators poised to shape the next generation of Korean cinema will fill the screen.
A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

Director Yeon Sang-ho has found success again with a low-budget project following 〈The Ugly〉. His new film, 〈Paradise Lost〉, opened on October 21. The psychological thriller begins when Ryu Seon-woo (Bae Hyun-sung), a son thought to be dead, miraculously returns to his mother, Ryu So-young (Kim...
Son Suk-ku, Eita Nagayama, Kim Shin-rock, Choi Sung-eun and Jung Jae-young: First Stills from “The Blue Road” Revealed!

Son Suk-ku, Eita Nagayama, Kim Shin-rock, Choi Sung-eun and Jung Jae-young: First Stills from “The Blue Road” Revealed!

The story follows two detectives investigating a corpse with twisted limbs, a mysterious message and a series of horrific murders that continue across borders.
〈The Blue Road〉 has unveiled stills that capture everything from the dynamic between the two detectives to the people caught up in a mysterious string of murders spanning borders, heightening anticipation for the series.
“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass.
The film 〈The Table: Day and Night〉 held a successful press screening and press conference ahead of its November 4 release. A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass, 〈The Table: Day and Night〉 wrapped up its press screening...
[New Film] Kim Hyang-gi’s ‘I Like Just Breathing Beside You,’ a Youth Romance About Rental Fraud, Opens on the 18th

[New Film] Kim Hyang-gi’s ‘I Like Just Breathing Beside You,’ a Youth Romance About Rental Fraud, Opens on the 18th

Directed by Ko Hyeong-ju and starring Ahn Dong-goo, Hong Si-young and others, the film depicts the clash between reality and ideals amid substandard housing, including the “bathroom series”
The opening chapter of a “youth survival romance”: love in the face of harsh reality “The house doesn’t have to be that nice.” The confession shared by lovers Hwaran (Kim Hyang-gi) and Iwan (Ahn Dong-goo), as they promise each other a sweet future, is romantic—but the reality awaiting them is...
[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

I’m drawn to objects in movies. I find myself wondering why a director, cinematographer, production designer or actor would put a particular object in front of the camera. ‘Chul-cheol Joo’s Locker’ is a record of the objects in movies that have caught my eye.
Welcome to Stephen Chow’s world. If you’ve fallen for Chow’s movies after seeing the recent rerelease of 〈Kung Fu Hustle〉(2004), the next films I’d recommend are the two 1995 movies that die-hard Chow fans collectively call 〈A Chinese Odyssey〉: 〈A Chinese Odyssey Part One: Pandora’s Box〉(hereafter...
[Photos] Shim Eun-kyung Takes on a New Challenge in 'Day and Night to Each Other'… Four Couples, Intimate Conversations; Opens Nov. 4

[Photos] Shim Eun-kyung Takes on a New Challenge in 'Day and Night to Each Other'… Four Couples, Intimate Conversations; Opens Nov. 4

Opening film of the 31st Busan International Film Festival… Director Kim Jong-kwan’s signature omnibus, joined by Lee Hee-jun, Kim Min-ha and others
Four perspectives that fill the spaces in everyday life Opening Nov. 4, director 'Kim Jong-kwan'’s new film 'Day and Night to Each Other' delicately captures a rich range of emotions unfolding around a single table.
A Job Interview Becomes a Real-Life ‘Squid Game’ in the Cutthroat Chaos of ‘Final Interview’

A Job Interview Becomes a Real-Life ‘Squid Game’ in the Cutthroat Chaos of ‘Final Interview’

Getting hired has never been this hard. Six applicants have beaten 5,000-to-1 odds to reach the final interview at global IT company Spiralinks. After spending a month preparing for a group discussion, they hoped they would all get offers.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.