Search results for "Park Hoon-jung"

The 62nd Baeksang Arts Awards: A Triumphant Joint Win for Yoo Hae-jin and Ryu Seung-ryong—Friends for 30 Years The top honor at the 62nd 'Baeksang Arts Awards' went to 'Yoo Hae-jin' from the film 'The Man Who Lives in a King', and 'Ryu Seung-ryong' from the drama 'Kim Bu-jang, Working for a Large...

The Korea Film Archive (Director Mo Eun-young, hereafter “Korea Film Archive”) will host the new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉(hereafter “Title Exhibition (展)”) at the Korea Film Museum (located in Sangam-dong) starting Friday, the 8th.

There are dramas that make you sympathize more with the supporting characters than with the protagonist. 〈Everyone Is Fighting Their Own Sense of Worthlessness〉, nicknamed "Mojamussa" , centers on a group of eight filmmakers.

'JTBC' The leading cast of the new Saturday-Sunday drama

The final episode of ENA’s Monday-Tuesday drama ‘Climax,’ broadcast last night at 10:00 PM, wrapped up with a decisive turn in the presidential election landscape: through the cooperation between Bang Tae-seop and Choo Sang-ah, Lee Yang-mi’s crimes were exposed.

On the 30th, JTBC announced its 2026 drama lineup. The lineup kicks off with 〈Mojamusa〉 (hereafter 〈Mojamusa〉) set to premiere on April 18. This work, bringing together screenwriter Park Hae-young of 〈My Liberation Diary〉 and director Cha Young-hoon of 〈When the Camellia Blooms〉, follows the inner...

Finally, 〈Wang-gwa Saneun Namja〉 surpassed 15 million viewers on March 25 , its 50th day since release. 16 million, or even more, is well within sight. We are truly in the era of 'Hang-jun thinking. ' Many netizens call him a 'Maltese with no tear stains.

JTBC's new Saturday-Sunday drama 〈We Are All Trying Here〉 presented an overwhelming immersion from the very first script reading, raising expectations. In the recent rehearsal scene, Director Cha Young-hoon and Writer Park Hae-young were joined by leading actors Goo Kyo-hwan, Go Yoon-jung, Oh...

Not every movie needs to be 〈Extreme Job〉, nor does it need to aspire to be like it. There’s no need to mix action and comedy on a grand scale like 〈Extreme Job〉, nor to arm itself with popular humor to cater to everyone’s tastes.