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Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

It feels like a lifetime has passed. Gone are the days when "video game adaptations" fought over 0.5 or 1-star ratings; now we live in an era where they can reliably deliver a decent average. Even Mario once went through a period when it was the epitome of a "worst movie," a reputation even fans...
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

〈Bamis〉 is a K-dessert variety show where five world-famous pâtissiers from across Southeast Asia and five up-and-coming male Korean celebrities team up in pairs to compete in making K-desserts.
Coming in April is the K-dessert variety program 〈Bite Me Sweet〉(also known as 〈Bamis〉), which will be available globally via the OTT platform Viu, with Asia as its hub, and in Korea via Wavve. 〈Bite Me Sweet〉 is a competitive reality show where well-known pâtissiers from each country in Southeast...
[Exclusive Interview] K-dessert variety, this time! A meet-up with the five muses of “Bite Me Sweet” ④ Bae Min-gi

[Exclusive Interview] K-dessert variety, this time! A meet-up with the five muses of “Bite Me Sweet” ④ Bae Min-gi

〈Bamis〉 is a K-dessert variety show where five well-known Korean rising male celebrities pair up with five celebrated master pâtissiers to form five two-person duos and create K-desserts.
Coming this April is 〈Bite me Sweet〉 , a K-dessert reality variety program that will be released worldwide across Asia and the Middle East, including Korea (Platform: Wavve) via (Platform: Viu). 〈Bite me Sweet〉 is a competitive survival format in which celebrated pâtissiers from across Southeast...
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.
This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of ‘Bite Me Sweet’ ② Cha Ju-won

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of ‘Bite Me Sweet’ ② Cha Ju-won

〈Bamis〉 is a variety competition where five popular Korean rising male celebrities and five top Asian pastry chefs team up in pairs to create brand-new K-style desserts.
“Momentum. ” Actor Cha Ju-won summed up his strengths in one word like this. Cha Ju-won, as he put it, was an actor whose charm—completely “filter-free”—stood out. Even after becoming a global star through 〈Zone of Love, Unrivaled〉, he kept a cool head and diagnosed where he stood.
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of “Bite Me Sweet” ③ Seong Seung-ha

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of “Bite Me Sweet” ③ Seong Seung-ha

〈Bamis〉 is a K-dessert variety show where five renowned pâtissiers and five Korean rising male celebrities team up as pairs, creating new K-desserts.
It looked as if Seong Seung-ha had been walking the path of an acting prodigy. Having gone through Gyeonggi-do High School’s drama and film department and then Sungkyunkwan University’s Department of Acting Arts, from the web drama 〈Short Script〉 to tvN 〈Player2: The War of the Savvy〉, and 〈That...
Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

〈Orlando〉 In 〈Orlando〉, a queen falls for the handsome noble boy Orlando (Tilda Swinton) and issues an order: “Don’t ever grow old, and don’t ever die.”
Tilda Swinton is an actress who seems like she just stepped out of a Renaissance painting. Usually, people describe actors with the phrase “untouchable,” but if I’m allowed to use that expression for only one person, I’d want it to be her.
The Reason We’ve Been Waiting for “Yumse” — Previewing Episodes 1 & 2 of <Yumi's Cells> Season 3

The Reason We’ve Been Waiting for “Yumse” — Previewing Episodes 1 & 2 of Season 3

Cold sweat broke out. It was because Yumi (Kim Go-eun) looked so much like me—trying to avoid riding the same bus as the awkward coworker. That’s exactly why, when Season 3 finally arrived, Yumi—who had become a huge success as a romance writer—met a brand-new PD named Roonrok (Kim Jae-won), a...
[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

With her latest work, Hungarian-born director Ildikó Enyedi, 〈Friend of Silence〉, is drawing attention as the second film in which Tony Leung has appeared outside the Chinese-language sphere since 〈A City of Sadness and Flower of Shanghai〉 (2021).
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.