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‘Gil Bok-soon’ ‘Miss Baek’ Kim Si-a’s Queer Coming-of-Age Story ‘Summer’s Camera’ Opens June 24

‘Gil Bok-soon’ ‘Miss Baek’ Kim Si-a’s Queer Coming-of-Age Story ‘Summer’s Camera’ Opens June 24

A queer coming-of-age movie in which the excitement of a first love and a father’s secret gradually spread like film camera photographs.
The coming-of-age queer story of a girl shining most honestly this summer, recognized first by leading film festivals around the world, 〈Summer’s Camera〉 has confirmed its June 24 release and has unveiled a teaser poster that has drawn attention.
[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

A Korean-French actor, Kim Ki-yoon, entered Cannes with Netflix’s “Surviving as a Celebrity Manager.” From an elite lawyer to a former… and his fan devotion to director Bong Joon-ho
From an elite lawyer to Cannes’ red carpet: Korean-French actor ‘Kim Ki-yoon’’s bold career move A lawyer at a major law firm, who had taken the country’s top elite track in France, has made his way—confidently—into the 79th ‘Cannes International Film Festival’, a global celebration for filmmakers.
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
Netflix’s “Wonderfuls” Tops Korea’s Series List, Ranks #6 Among Global Non-English Shows in Its First Week of Release!

Netflix’s “Wonderfuls” Tops Korea’s Series List, Ranks #6 Among Global Non-English Shows in Its First Week of Release!

A bunch of neighborhood goofballs who just happen to develop superpowers band together to fight off villains that threaten peace, going all out to protect the world.
In the late days of 1999, this Netflix series, 〈Wonderfuls〉​, is a superpower comedy adventure in which neighborhood nobodies who accidentally gain abilities fight back to protect the world from villains that endanger peace. Since it was released on Friday, May 15, it recorded 2.
Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

While a family staying at a seaside villa in the height of summer—after leaving Seoul—struggles with an unknown illness, Dora finally learns what love is, and everything begins to slowly unravel.
Ahead of the May 17 world premiere in the Directors’ Fortnight at the Cannes Film Festival, director Jeong Juri’s new work 〈Dora〉 has confirmed the Cannes joint attendance of director Jeong Juri and actors Kim Do-yeon and Ando Sakura, unveiling the trio’s invitation-day remarks.
[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

After her younger sister Sora (Seung-hwa Kim), who has a criminal record for murder, is released from prison, the day-to-day life of star pet dog trainer Ha-young (Seung-yoon Choi) begins to shake.
A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.
Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

On May 4, it reached 200,000 cumulative admissions and hit the break-even point about two weeks after its release.
There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.
Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

In Jeju Island, Haruka, a Japanese researcher collecting soundscapes, meets a young woman named Ayun of unknown identity and is forced to confront her late mother and her own past.
Barunson E&A (CEO Choi Yoon-hee, Moon Yang-kwon) will participate as a co-producer and in overseas sales for the Korea-Japan collaboration feature film 〈I Hear You〉 (English title: I Hear You) . Filming wrapped on April 29, and the film is currently in post-production.
Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

The Korea Film Archive (Director Mo Eun-young) will hold a new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉 at the Korea Film Museum starting May 8.
The Korea Film Archive (Director Mo Eun-young, hereafter “Korea Film Archive”) will host the new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉(hereafter “Title Exhibition (展)”) at the Korea Film Museum (located in Sangam-dong) starting Friday, the 8th.
‘A City of Sadness,’ abruptly put on hold one day before reopening… “Copyright issues raised”

‘A City of Sadness,’ abruptly put on hold one day before reopening… “Copyright issues raised”

The original rights holder sent an official notice saying, “I’ve never sold the distribution rights in Korea,” prompting theaters to halt screenings in the middle of ongoing showings Korean Association of Art Cinema Theaters: “The original rights holder denies the legitimacy of the screening copy… withdraw to protect audience trust” Importer A-Sum Pictures: “We purchased it lawfully through a French distributor… we’ll do our best to reach a proper resolution”
The masterpiece by director Hou Hsiao-hsien, ‘A City of Sadness (1989),’ was scheduled to return to South Korean screens on the 6th but was suddenly put on hold just two days before its release. As the original overseas rights holder raised copyright concerns and signs of a legal dispute began to...