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Margaret Qualley ♥ Jack Antonoff: Split After 5 Years of Dating and 3 Years of Marriage — Was Taylor Swift’s “Solo Attendance” at the Wedding a Signal?

Margaret Qualley ♥ Jack Antonoff: Split After 5 Years of Dating and 3 Years of Marriage — Was Taylor Swift’s “Solo Attendance” at the Wedding a Signal?

Less than a month before their third wedding anniversary, the couple’s final breakup is confirmed At last weekend’s Taylor Swift wedding, Antonoff was spotted with his sister without his wife, fueling reports of trouble They started dating in 2021, tied the knot in a lavish New Jersey ceremony in 2023… “Sorting out the situation and looking for solutions” Qualley’s past confession, once described as “the only person in my life,” resurfaces as music and movie fans react with bitter feelings
Jack Antonoff (42), the frontman of the band Bleachers, and actress ‘Substance’ star Margaret Qualley (31) have gone their separate ways about three years after getting married. With news of their breakup spreading abroad, outlets are buzzing over the couple’s five-year run as one of Hollywood’s...
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

A behind-the-scenes film production story about the Minions’ bumpy entry into 1920s Hollywood. ‘Yellow’ dreamers who want to direct: ‘Minions & Monsters’ opens on the 15th
A yellow rebellion that swept through 1920s Hollywood, rewriting screen history The ‘Minions’ series, which has built up an astonishing $2 billion worldwide box-office cumulative haul (about 346 billion won), will take over domestic theaters on the 15th with its third masterpiece, ‘Minions &...
Na Hong-jin says he is still revising 'Hope' before release to improve sound and visuals

Na Hong-jin says he is still revising 'Hope' before release to improve sound and visuals

Interview ahead of the release of 〈Hope〉
Director Na Hong-jin said he is still revising 〈Hope〉 ahead of its July 15 release, continuing to work on the film's sound and visuals even after its press screening. CinePLAY met with director Na Hong-jin at an undisclosed location in Seoul's Jongno District on the afternoon of the 7th to discuss...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
‘The Ring’ Horror Girl Daveigh Chase Dies at 35, Marking a Tragic End for the Child Prodigy ‘Shocked’

‘The Ring’ Horror Girl Daveigh Chase Dies at 35, Marking a Tragic End for the Child Prodigy ‘Shocked’

She died from complications of meningitis and sepsis… taken to a hospital in severe malnutrition, but did not survive From Hollywood star to a Skid Row homeless person in an LA slum… a brutal saga hidden behind the scenes is revealed Her team hired private investigators even beyond her manager and family… fans are ‘in tears’ at her skeletal final appearance
Daveigh Chase, the child actor who rose to genius-level fame as the chilling ghost ‘Samara’ in the early-2000s Hollywood horror hit ‘The Ring’ and as the lovable girl ‘Lilo’ in Disney animation, has died at a young age of 35.