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Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Moves the main venue to downtown Art Center Jecheon... Built a star-studded lineup led by Committee Chair Jang Hang-jun, featuring Park Chan-wook and Bong Joon-ho
'Jecheon International Music Film Festival' A Reversal with a 4 Billion Won Investment… A Sharp Knife for a 20% Drop in Audience 188 Screenings Expand Genres and Move the Main Venue Entirely to Art Center Jecheon in the Heart of the City The 'Jecheon International Music Film Festival' , which pours...
| James choi
[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

I am drawn to music in films. Music often conveys a character's intimate emotions in ways images and dialogue cannot, and it can open a window onto a creator's hidden intent. For me, understanding a film's music has been one way into the film itself.
| Chua-young
“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

A documentary about the life and photos of Kuwabara Seisei, a master of Japanese photojournalism who chronicled modern Korean history through 100,000 shots over 60 years.
A film titled 〈Face of Photography〉, which confirmed its release for Sept. 2, will unveil a teaser poster and a teaser trailer. 〈Face of Photography〉 is a photo documentary that follows the life and work of Kuwabara Seisei, a 90-year-old master of Japanese photojournalism who documented modern...
| Joo Seong-cheol
[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

The first screening of ScreenX on four screens expanded all the way to the ceiling… Peter Parker’s coming-of-identity confusion
A hero kept strictly isolated, a new awakening reached after four years Peter Parker, the Spider-Man figure erased completely from everyone’s memories (Tom Holland), has returned after four years of silence. ‘Spider-Man: Brand New Day’ (hereafter ‘Spider-Man 4’), which has already surpassed 830,000...
| James choi
Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

After 〈Spider-Man: No Way Home〉 wiped Peter Parker from everyone’s memory, 〈Spider-Man: Brand New Day〉 sends him into a lonelier, heavier new chapter — following Spider-Man, now living like a Marvel version of the reality series 'I Live Alone,' as he encounters a new enemy.
| Seongchan Eol
First Reactions to 'Spider-Man: Brand New Day': Cineplay Reporters Share Their Ratings

First Reactions to 'Spider-Man: Brand New Day': Cineplay Reporters Share Their Ratings

First reactions 〈Spider-Man: Brand New Day〉 opens tomorrow. After seeing the film at a press screening, Cineplay reporters shared their first impressions of the latest Spider-Man action blockbuster. The film follows Peter Parker , who has been forgotten by everyone after the events of 〈Spider-Man:...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Photo&] “I Watched Seo Jisub’s Gift and Cried…” The ‘Mr. Kim’ Interview With Seo Soomin, the 3.8-Million-View Girl’s Twist

[Photo&] “I Watched Seo Jisub’s Gift and Cried…” The ‘Mr. Kim’ Interview With Seo Soomin, the 3.8-Million-View Girl’s Twist

She debuted as Kim Min-ji, the daughter, in SBS’ “Mr. Kim,” with a 23.1% viewership rating—she also shared stories about Day6’s handwritten signed gift and casting backstory
The SBS drama 'Mr. Kim'—which wrapped up with the top viewership rating of '23. 1%' for actress 'Seo Soomin'—was her debut work that opened the door to a career in acting in a big, forceful way. The process of a teenage girl who had racked up '3.
| James choi
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
Oh Jung-sei Becomes the New Face of Kkokkalcorn as Accumulated Sales Hit 1 Trillion Won, With the Line “I Like You, I Like You Because You’re Pretty”

Oh Jung-sei Becomes the New Face of Kkokkalcorn as Accumulated Sales Hit 1 Trillion Won, With the Line “I Like You, I Like You Because You’re Pretty”

The “Romantic Snack for Our Times” campaign rolls out, with full-scale online and offline marketing including pop-up stores
The Myth of Cumulative Sales of 1 Trillion Won, Evolving Into a “Romantic Snack” for Generation Z and Millennials Since its debut in 1983, “Kkokkalcorn”, which changed the landscape of South Korea’s snack market, is making another leap forward.
| James choi