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[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
| Kim Ji-yeon
Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

A crew of 10 and a total budget of 26 million yen—so low it’s almost unprecedented—has pushed box-office revenue past 1 billion yen.
〈Samurai Timeslipper〉 depicts the journey of an Edo-era samurai who is ‘time-slipped’ into a movie set and ends up working as a beheading specialist actor As the film was released in Japan, starting out in just one theater, word of mouth spread and showings expanded to about 380 theaters across the...
| Joo Seong-cheol
Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.
| Joo Seong-cheol
Where You’ve Seen the ‘My Flavor Boys’ Cast From 〈The Legend of Kitchen Soldier〉 Before, Including a ‘Squid Game’ Actor

Where You’ve Seen the ‘My Flavor Boys’ Cast From 〈The Legend of Kitchen Soldier〉 Before, Including a ‘Squid Game’ Actor

The fictional boy band My Flavor Boys has become one of the breakout gags of TVING’s 〈The Recruit Cook Becomes a Legend〉 — popular enough to land on 〈M COUNTDOWN〉 and send viewers searching for the actors behind the group.
| Kim Ji-yeon
Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still. Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
'Final Peace' actor Kentaro Sakaguchi wraps up high-energy fan event in Seoul, leaves lasting impression

'Final Peace' actor Kentaro Sakaguchi wraps up high-energy fan event in Seoul, leaves lasting impression

He handled 16 stage greetings over two days and two GV sessions, showing an outpouring of affection for Korean audiences At a press conference and during stage greetings, he delivered greetings in Korean himself and expressed heartfelt thanks for the enthusiastic response A suspense drama about a legendary go master and a missing gambler is currently playing in Korean theaters
Kentaro Sakaguchi, who came to Korea for 〈Final Peace〉, successfully wrapped up all scheduled events. After Japanese actor Kentaro Sakaguchi’s film 〈Final Peace〉 opened in Korea on May 27, he headed to the Korean peninsula to meet local audiences.
| Seongchan Eol