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Hwang Jung-min Draws a Line Against Someone Spreading Privacy Allegations… “Stalker Behind It, Fine of 3 Million Won”

Hwang Jung-min Draws a Line Against Someone Spreading Privacy Allegations… “Stalker Behind It, Fine of 3 Million Won”

Agency says the court issued a three-time restraining order on approach; additional criminal complaint planned over maliciously manipulated posts
Unfounded "privacy allegations" surrounding South Korea’s leading actor "Hwang Jung-min" have ultimately been traced to a stalker’s malicious fabrication. The agency made clear that the source of the rumor is a suspect in ongoing "stalking crimes", and warned of an uncompromising crackdown.
| James choi
‘Squid Game’ Season 1, 2, 3 followed by ‘Teach You a Lesson’ lands in the Netflix all-time top 10 most popular series list

‘Squid Game’ Season 1, 2, 3 followed by ‘Teach You a Lesson’ lands in the Netflix all-time top 10 most popular series list

Netflix series 〈Teach You a Lesson〉 ranks No. 10 on Netflix’s all-time top 10 most popular series (non-English).
A Netflix series 〈Teach You a Lesson〉 that depicts the unyielding efforts of the Office for Protection of Teachers’ Authority, which stands with victims and sets schools back on track, has, within just eight weeks of release, logged a total of 60.
| Joo Seong-cheol
“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

A documentary about the life and photos of Kuwabara Seisei, a master of Japanese photojournalism who chronicled modern Korean history through 100,000 shots over 60 years.
A film titled 〈Face of Photography〉, which confirmed its release for Sept. 2, will unveil a teaser poster and a teaser trailer. 〈Face of Photography〉 is a photo documentary that follows the life and work of Kuwabara Seisei, a 90-year-old master of Japanese photojournalism who documented modern...
| Joo Seong-cheol
“Kept it secret for 2 years for my son” Ko Jiyong opens up about divorce

“Kept it secret for 2 years for my son” Ko Jiyong opens up about divorce

The couple split two years ago after tying the knot in 2013—“I kept it private to support our son’s stable growth, and I’ll do my best as a father”
Ko Jiyong reveals divorce after 2 years… the real reason “Superman” dadThe split becomes official on social media on the 29th—each goes their own way 11 years after marrying in 2013Ko Jiyong, a first-generation idol group “SechsKies” veteran and a current businessman, has officially announced his...
| James choi
[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

I’m curious about people. Even actors already getting attention may be at the low point of their public profile. "Kim Ji-yeon's Jewel Box" spotlights performers who keep setting new highs day after day. Buy the breakout stocks at their lows.
Anyone who watches Korean dramas has likely noticed Kang Ki-dong at least once — the reliably grounded actor whose supporting turns keep stealing scenes. In the tvN drama 〈Off to Work Again!〉, which concluded on the 28th, Kang played Jeon Gi-tae, a seven-year office veteran and a member of Saeum...
| Kim Ji-yeon
'Tomorrow Work!' Seoin-guk and Park Ji-hyun quit suddenly after romance is exposed—ending at 4.6%

'Tomorrow Work!' Seoin-guk and Park Ji-hyun quit suddenly after romance is exposed—ending at 4.6%

After a year, both succeed as their own CEOs and team leaders, exchange proposal rings—and the drama kept 4%+ viewership ratings throughout its run after launching at 4.8%
A decisive breakthrough that breaks the workplace romance curse… a perfect finale that wins both work and lovetvN Monday-Tuesday drama 'Tomorrow Work. ' delivered a thrilling sense of catharsis and wrapped up with a fitting final flourish.
| James choi
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young