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Search results for "cult films"

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
Inaugural Korea Short Drama Awards Names Five-Member Jury

Inaugural Korea Short Drama Awards Names Five-Member Jury

Co-hosted by Cineplay and the Korean Film Archive, the inaugural Korea Short Drama Awards carry a total prize pool of 20 million won. The five-member jury is chaired by Min Kyu-dong and also includes Korean Film Archive Director Mo Eun-young; Han Jung-soo, director and CEO of Yeondu Company; Kim Won-jin, director of MCA AI Creative Studio's Creative Headquarters; and actor Lee Yeon. The Archive has pledged archiving support for winners, and organizers say the awards aim to discover new creators and help the short-drama industry take a step forward.
The inaugural Korea Short Drama Awards, which carry a total prize pool of 20 million won, have named a five-member jury. Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive (Director Mo Eun-young) are co-hosting the first Korea Short Drama Awards.
| Seongchan Eol
The Winner of the 25 Million Won Total Prize: Seongbuk Youth Invincible Film Festival Short Film Call for Entries

The Winner of the 25 Million Won Total Prize: Seongbuk Youth Invincible Film Festival Short Film Call for Entries

Short films of up to 30 minutes are accepted from people ages 19 to 34, with submissions open until July 7
A youth lens that cuts through the era’s gloom, once again taking shape on the screen For those who capture the hidden side of the times, it has never been the job of the older generation. It has been the privilege of young people armed with the sharpest senses.
| James choi
‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

A joint production venture with ReelShort, a global platform boasting 70 million monthly active users… poised to take on the short-form space worldwide
A longtime tentpole heavyweight, 'Showbox', targets global short-form dominance with its 'ReelShort' audience of 70 million The investment and distribution company 'Showbox', which has built a track record of blockbuster K-content, has signaled a major shift in the global video content market.
| James choi
Master of Illusion Ridley Scott Wins Oscar Honor at Last

Master of Illusion Ridley Scott Wins Oscar Honor at Last

Scott, a director with a 60-year path in film who never had ties to the Academy Awards, earns recognition for a lifetime of work
The King of Untethered Vision Finally Grabs a Golden Oscar After more than half a century, 'Ridley Scott', the maestro who reshaped Hollywood's landscape, has at last broken the Academy's long-standing indifference and earned the honor of an achievement award.
| James choi
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
| Kim Ji-yeon