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Search results for "re-release"

Not Over Yet: 'Avengers: Endgame Encore' Returns Ahead of 'Avengers: Doomsday'

Not Over Yet: 'Avengers: Endgame Encore' Returns Ahead of 'Avengers: Doomsday'

There’s a lot to see over the Chuseok holiday. And one more big attraction has joined the lineup: the worldwide re-release of 〈Avengers: Endgame〉. With 〈Avengers: Doomsday〉 set for this December, Marvel Studios is bringing back what is still the most recent Avengers film, touching it up and...
| Seongchan Eol
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[Photos] "A Dopamine Rush From Superhuman Strength": Koo Kyo-hwan on 'Revival Man,' Opening on the 30th, in Role of 31-Year-Old Job Seeker

The film's premise: He resurrects three days after dying; Koo Kyo-hwan opens up about the universal story of a job seeker's struggles and the excitement of taking on multiple projects.
Superpowered action film opening on the 30th delivers overwhelming speed through VFX and chroma key The emergence of superhuman exhilaration: The birth of 'Revival Man,' set to overwhelm the screen No discussion of the Korean film industry this year is complete without actor Koo Kyo-hwan.
| James choi
[First Reaction] 'Possible Love': CINEPLAY Reporters' Ratings

[First Reaction] 'Possible Love': CINEPLAY Reporters' Ratings

[First Reaction] Lee Chang-dong's latest film, 〈Possible Love〉, opens in select theaters Sept. 23 and arrives on Netflix Nov. 6. 〈Possible Love〉 follows two couples — a laid-off worker and his wife, and a documentary director and her husband — who meet to make a documentary and confront their...
| Seongchan Eol
Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

In 〈Assassin 〉, Yoo Hae-jin plays Cheol-gu, a deeply human detective whose life is overturned by the 1974 presidential assassination attempt that killed Yuk Young-soo. Cheol-gu is a family man, a dependable boss and a public servant anyone would respect.
| Seongchan Eol
François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

The film gives a narrative to the unnamed Arab’s sister, expands Marie’s role and captures Algeria’s sun in black and white; opening Sept. 30
122 minutes of striking black-and-white aesthetics, opening in theaters on Sept. 30 Albert Camus’ literary masterpiece, “The Stranger,” is indelibly associated with its stunning opening line: “Mother died today. Or maybe yesterday.
| James choi
Indonesian Horror Master Joko Anwar’s New Film ‘Ghost in the Cell’ Set for Oct. 7 Korean Release

Indonesian Horror Master Joko Anwar’s New Film ‘Ghost in the Cell’ Set for Oct. 7 Korean Release

Joko Anwar’s ‘Ghost in the Cell’ unveils main poster ahead of Oct. 7 release Blood-soaked gore horror set in a prison where violence and corruption are everyday realities; film builds buzz after screening at the Bucheon International Fantastic Film Festival Indonesian box office No. 1 for three consecutive weeks, with stills amplifying tension by hinting at chaos inside the prison
The latest film from the genre master is set for an October release. The film 〈Ghost in the Cell〉 will be released in South Korea on Oct. 7, with its main poster and stills unveiled. 〈Ghost in the Cell〉 is a gore horror film about a series of bizarre deaths that follows the arrival of a new inmate...
| Seongchan Eol
BLACKPINK's Rosé teams with Apple to release 'new trick,' cementing global-icon status

BLACKPINK's Rosé teams with Apple to release 'new trick,' cementing global-icon status

Raw, kinetic garage-punk single 'new trick' released worldwide on the 18th Producers behind the 'APT.' phenomenon join forces, with acclaimed director Dave Meyers helming the music video Rosé asserts her star power by joining Apple's 'Shot on iPhone' campaign, alongside Lady Gaga and The Weeknd
Rosé (ROSÉ), a member of K-pop powerhouse BLACKPINK and a solo artist, released her new single 'new trick' and its music video worldwide at 8 a. m. on the 18th. A return to punk infused with her distinctive sound The new single 'new trick' is a garage-punk track driven by raw, kinetic energy.
| Seongchan Eol
Jazz newcomer aron! releases 'Too Close For Running,' a twist on his 8-year-old rock roots

Jazz newcomer aron! releases 'Too Close For Running,' a twist on his 8-year-old rock roots

The singer-songwriter debuts through Verve Records, a Universal Music label, on the 18th, proving the musical range of a former full-scholarship student.
The birth of an 'old-school romantic': A genre-defying musical journey Singer-songwriter and multi-instrumentalist 'aron. ' released his debut album, 'Too Close For Running', on the 18th. It marks his official debut through Verve Records, the globally renowned jazz label under Universal Music.
| James choi
‘Chiikawa’ Scores 13.9 Billion Yen, First Movie Opens on the 30th After Captivating 9.6 Million With Its Chilling Edge

‘Chiikawa’ Scores 13.9 Billion Yen, First Movie Opens on the 30th After Captivating 9.6 Million With Its Chilling Edge

The Japanese film grossed 13.9 billion yen, with creator Nagano contributing to the screenplay as subtitled and Korean-dubbed versions open simultaneously
First movie draws 9. 6 million viewers with the chilling edge of the original “Sirens Arc” The first theatrical animated film based on “Chiikawa”, the phenomenon that shook Japan, “Chiikawa the Movie: The Secret of Mermaid Island” will officially hit South Korean theaters on the 30th.
| James choi
Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

The film opened on 1,560 screens across North America and took No. 2 at the box office behind Christopher Nolan’s latest; Jo In-sung and Jung Ho-yeon complete New York red-carpet appearance
Film grosses more than $5 million in opening week, heads to Austin and San Francisco after New York ‘Hope’, the latest film from director Na Hong-jin, is sweeping North American theaters and setting the biggest box-office record for a Korean film since ‘Parasite.
| James choi