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Search results for "AI Film"

A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

Director Yeon Sang-ho has found success again with a low-budget project following 〈The Ugly〉. His new film, 〈Paradise Lost〉, opened on October 21. The psychological thriller begins when Ryu Seon-woo (Bae Hyun-sung), a son thought to be dead, miraculously returns to his mother, Ryu So-young (Kim...
| Kim Ji-yeon
‘White Blast’: Kim Yun-seok Aims a Gun at Koo Kyo-hwan, Who Grips a Shovel… Second Set of Press Stills Reveals a Tense Standoff

‘White Blast’: Kim Yun-seok Aims a Gun at Koo Kyo-hwan, Who Grips a Shovel… Second Set of Press Stills Reveals a Tense Standoff

Mysterious body turns up at isolated Seoro Station… Park Soo-young and Roh Yoon-seo raise the tension to a fever pitch
The second set of eight press stills from 〈White Blast〉, starring Kim Yun-seok and Koo Kyo-hwan and directed by Hong Eui-jeong and Park Sun-woo, captures a gripping incident at Seoro Station and the sharp clashes between its characters.
| Kim Ji-yeon
MBC’s ‘PD Notebook’ Takes Aim at ‘The Assassin(s)’ Controversy; Director Hur Jin-ho Asks, ‘Are We Not Even Allowed to Ask Questions?’

MBC’s ‘PD Notebook’ Takes Aim at ‘The Assassin(s)’ Controversy; Director Hur Jin-ho Asks, ‘Are We Not Even Allowed to Ask Questions?’

Director Hur Jin-ho, who has remained silent for about a month, appears on the program; airs October 27 at 10:20 p.m.
MBC’s investigative news program 〈PD Notebook〉 will take an in-depth look at the dispute and allegations of outside pressure surrounding the film 〈The Assassin 〉, a controversy that has spread beyond the film industry into politics. MBC said the October 27 broadcast at 10:20 p. m.
| Kim Ji-yeon
[Shuhua FOCUS/4K] 2026 Busan International Film Festival ‘Happily Ever After’ Outdoor Stage Greeting | #Shuhua #I-dle

[Shuhua FOCUS/4K] 2026 Busan International Film Festival ‘Happily Ever After’ Outdoor Stage Greeting | #Shuhua #I-dle

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| Lee Min-hee
Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Director Yeon Sang-ho, a filmmaker often credited with expanding the range and commercial success of Korean cinema, tackles a story rooted in the anxieties of the AI age in 〈Silnakwon〉. The film, which screened for audiences at the 51st Toronto International Film Festival and the 31st Busan...
| Seongchan Eol
Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
| James choi
[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

A reunion 15 years after ‘The King of Pigs’ won three awards, this mystery starring Kim Hyun-joo and Bae Hyun-sung opens on the 21st
'Yeon Sang-ho' has returned to the 31st 'Busan International Film Festival' with his new film 'Paradise Lost'. Fifteen years ago, he made a major mark on the film industry with the animated film 'The King of Pigs', which won three awards.
| James choi
[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

At a press conference marking her 30th year since debut, she praised Park Chan-wook’s ‘The Handmaiden,’ screened new film ‘The Diary of a Mad Old Man’ and took part in the special program ‘Carte Blanche’
30 years of acting experience help her weather technology’s waves Fan Bingbing, an actress who has built a career on the global stage beyond the Chinese-language market, returned to the 31st 'Busan International Film Festival ' after three years.
| James choi
LA screening: “Korean men are conditioned by oppression” — Lee Chang-dong’s ‘Possible Love’ takes aim at Oscars

LA screening: “Korean men are conditioned by oppression” — Lee Chang-dong’s ‘Possible Love’ takes aim at Oscars

After winning the Venice jury’s Grand Prix, the film is selected as South Korea’s Academy submission, with Seol Kyung-gu and Jeon Do-yeon praised for their performances as a wounded laid-off worker and his wife
Acclaimed director 'Lee Chang-dong' raised a weighty and pointed question at a special Los Angeles screening of 'Possible Love', saying, "Korean men are conditioned by a far more oppressive structure than the one in the United States.
| James choi
Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Director Julia Ducournau, who won the Palme d'Or at the Cannes Film Festival with the film 〈Titane〉, returns with her new work 〈Alpha〉. Ducournau built a distinctive cinematic worldview by depicting forbidden desire with striking mise-en-scène in films such as 〈Raw〉 and 〈Titane〉.
| Chua-young