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Search results for "Cannes Film Festival Competition Section"

‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

Director Na Hong-jin “〈Hope〉 is a story about just how far the problems in our world can grow”
The official photo call and press conference for 〈Hope〉, the film that was first unveiled to the world through its world premiere on the 17th, took place the following day, Monday, May 18. Ahead of the press conference, director Na Hong-jin, Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael...
| Joo Seong-cheol
Jo In-sung x Jeong Ho-yeon x Hwang Jung-min! First Look at “Hope” as It Enters the Cannes Film Festival Competition Section!

Jo In-sung x Jeong Ho-yeon x Hwang Jung-min! First Look at “Hope” as It Enters the Cannes Film Festival Competition Section!

Set in the fictional port of Hopo Harbor, it lets you catch vivid, real-life moments of each character facing an unbelievable reality.
Following an invitation to the 79th Cannes Film Festival in the Competition section, 〈Hope〉—which has been raising expectations by teaming up with the American distributor NEON to confirm a North American release—has revealed its first stills.
| Joo Seong-cheol
Park Chan-wook Appointed Jury Chair of the 79th Cannes Film Festival...

Park Chan-wook Appointed Jury Chair of the 79th Cannes Film Festival... "I Believe in the Power of Films that Create Solidarity"

First Korean to Judge the Palme d'Or... Cannes Organizers Say "Will Provide Unforgettable Moments in Modern Cinema"
Film director Park Chan-wook has been appointed as the jury chair for the competition section of the 79th Cannes Film Festival, as reported by major foreign news outlets such as AP and AFP on the 25th . Director Park will lead the official jury that decides the winner of the Palme d'Or, the highest...
| 김지민
Zhang Yimou makes surprise return as Busan film festival jury chair — fate of 13 films hangs in the balance

Zhang Yimou makes surprise return as Busan film festival jury chair — fate of 13 films hangs in the balance

The 31st Busan International Film Festival, opening Oct. 6, appoints a jury chair for its competition section for the second time since its launch
A master returns, offering a new milestone for Asian cinema Zhang Yimou, a living legend of Chinese cinema, has been appointed to chair the competition jury, one of the Busan International Film Festival's central sections.
| James choi
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
| James choi
'The Artist' Director Michel Hazanavicius and Bérénice Bejo to Visit Korea for First Time at BIAF2026

'The Artist' Director Michel Hazanavicius and Bérénice Bejo to Visit Korea for First Time at BIAF2026

Invited to the 28th Bucheon International Animation Festival (BIAF2026), the pair will attend a master class held in connection with the France special exhibition Michel Hazanavicius' Cannes competition film The Most Precious of Cargoes to have its Asian premiere Bérénice Bejo to meet Korean audiences through 1975, The Killing Fields, Funan, in which she provided voice acting
The two stars of 〈The Artist〉 are set to visit Korea. The two stars of Oscar winner 'The Artist' are coming to Korea The 28th Bucheon International Animation Festival (BIAF2026) announced Sept. 7 that it had specially invited Michel Hazanavicius, director of the film 〈The Artist〉, and lead actress...
| Seongchan Eol
Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

A total of 246 films from 59 countries, including 14 competition entries, have been invited; festival will open on a Tuesday for the first time to expand viewing opportunities
95 world premieres . . . An unrivaled scale for Asia's film hub The 31st Busan International Film Festival, one of Asia's most prestigious film events, will open next month on a Tuesday with a record lineup of 315 films.
| James choi
Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Officially selected for the 74th festival’s Perlak section, the film stars Hwang Jung-min, Jo In-sung and Jung Ho-yeon in a struggle against an unknown life-form
K-creature films evolve, commanding Europe’s most prestigious screens ‘Hope’, the latest film from South Korea’s unrivaled thriller auteur Na Hong-jin, is making an overwhelming impact on the global cinema landscape.
| James choi
4 Venice Film Festival Picks Headed to Korea This Year

4 Venice Film Festival Picks Headed to Korea This Year

The Venice International Film Festival, counted among the world’s three major film festivals along with the Berlin International Film Festival and the Cannes Film Festival, has announced the lineup for its 83rd edition. The festival runs Sept. 2–12 in Venice, Italy.
| Seongchan Eol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol