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Search results for "Coming to Japan performance"

The Weeknd Confirmed to Perform in South Korea for the First Time in 8 Years…October to Host a 100,000-Person-Scale “HyundaiCard SuperConcert 28”

The Weeknd Confirmed to Perform in South Korea for the First Time in 8 Years…October to Host a 100,000-Person-Scale “HyundaiCard SuperConcert 28”

Large pop performances on October 7–8 at Goyang Sports Complex Stadium in Gyeonggi-do, featuring Coldplay and Bruno Mars The Weeknd-led stadium tour driving mainstream popular music—50 million Spotify streams and topping Billboard charts NOL (NOL) tickets: ModernCard members get early access starting the 20th…Creepy Nuts join as the opening guest
Pop star The Weeknd is meeting Korean audiences for the first time in eight years. For the third time ever, a SuperConcert at a 100,000-person scale HyundaiCard announced on the 11th that it will hold “HyundaiCard SuperConcert 28 The Weeknd” at 7:45 p. m.
| Seongchan Eol
tvN’s ‘Happy Anding’ Shifts to Wednesdays and Thursdays, Premiering Nov. 11 at 10:50 p.m.

tvN’s ‘Happy Anding’ Shifts to Wednesdays and Thursdays, Premiering Nov. 11 at 10:50 p.m.

A remake of NTV’s 2021 hit follows the growth of three unknown comedians
tvN targets weekday viewers with a story about young people they can relate to tvN has made a major change to its programming strategy, moving up the schedule for its new series ‘Happy Anding’. The network announced on the 21st that the show, originally scheduled as a Friday-Saturday drama, will...
| James choi
BTS’ ‘ARIRANG’ Singalong to Move Japanese Viewers: TBS to Air Exclusive Concert on the 28th

BTS’ ‘ARIRANG’ Singalong to Move Japanese Viewers: TBS to Air Exclusive Concert on the 28th

TBS schedules 28 related programs throughout November; Tokyo Dome concert celebrating unity through music to air for the first time
A stage steeped in Korean identity shakes Japan The Japan leg of global supergroup BTS’ ARIRANG world tour, which wrapped up to great acclaim at Tokyo Dome this past April, is coming to Japanese television. Japan’s major broadcaster TBS officially announced on the 17th that it will air BTS WORLD...
| James choi
Japan Bookstore Award-winning 'You, Like a Star' stars Yokohama and Hirose; Korean fan event set for 19th

Japan Bookstore Award-winning 'You, Like a Star' stars Yokohama and Hirose; Korean fan event set for 19th

Based on a 1.7 million-copy bestseller, the film opens at Lotte Cinema on the 28th
Award-winning novel makes its way to the screen in a star-studded lineup that shook Japan Japan's leading youth icons are coming to theaters in South Korea. Daewon Media, the film's distributor, officially announced on the 13th that the stars of 'You, Like a Star,' Yokohama Ryusei and Hirose Suzu,...
| James choi
Kang Hoon, Lee Yi-dam’s tvN ‘Hot Goodbye’ gets six-week run — three unknowns seek a future after 10 years

Kang Hoon, Lee Yi-dam’s tvN ‘Hot Goodbye’ gets six-week run — three unknowns seek a future after 10 years

Premiere set for the 6th of next month, with Kang Hoon and Jo Hyun-chul starring and the team behind ‘Crash Course in Romance’ on board
Strong source material and trusted creative team join forces tvN is raising viewers’ expectations for high-quality content by confirming a six-week special run for its Friday-Saturday drama lineup. tvN officially announced on the 8th that its new Friday-Saturday drama ‘Hot Goodbye’, starring ‘Kang...
| James choi
[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

Ryu (Andrew Koji) and Ken (Noah Centineo), fated rivals, enter the World Warrior Tournament at Chun-Li's (Kalina Liang) invitation.
​ ▶ 〈Street Fighter〉 continues from the interview with Andrew Koji, who plays Ryu.
| Joo Seong-cheol
Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...
| 문동명 객원기자
Jeong Yun-ha Reflects on 'A Shop for Killers 2' Finale: 'Kusunagi Jin Was a Challenge and a Lesson'

Jeong Yun-ha Reflects on 'A Shop for Killers 2' Finale: 'Kusunagi Jin Was a Challenge and a Lesson'

As Babylon's East Asia chief Kusunagi Jin, the actor drew praise for multilingual performance and commanding screen presence
Actor Jeong Yun-ha reflected on her turn as the villain Kusunagi Jin in Disney+ original series 〈A Shop for Killers〉 Season 2, sharing affection and reflections in a post-finale Q&A released by Saram Entertainment on the 18th, after all Season 2 episodes were made available on the 12th.
| Kim Ji-yeon
Yeon Sang-ho confirms production of “Parasite: Tamiya” — another major global Japanese IP project

Yeon Sang-ho confirms production of “Parasite: Tamiya” — another major global Japanese IP project

In the original work, Tamiya Ryoko—who clashes with protagonist Izumi Shinichi—plays a high school teacher who looks human and is a dangerous parasite that threatens humanity.
Netflix said it has confirmed production of Netflix’s Japanese series 〈Parasite: Tamiya〉, scheduled to be released in 2027. Director Yeon Sang-ho and the production company Wowpoint are teaming up again to unveil a new 〈Parasite〉 universe.
| Joo Seong-cheol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정