Search results for "Im Soo-jung Interview"

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
[Interview] Rising to the Role of a Lifetime! Im Soo-jung from 'Low Life' Says,

[Interview] Rising to the Role of a Lifetime! Im Soo-jung from 'Low Life' Says, "Jung-sook Even Appears Cute to Me"

"Acting is Really 'So Much' Fun"
I dare say that Yang Jung-sook is Im Soo-jung's 'role of a lifetime'. The Disney+ series 〈Low Life〉 is a picaresque tale that highlights a 'dark ensemble' formed by villains committing their own misdeeds. However, the evil acts committed by each character make them even more intriguing and...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
Na Hong-jin says he is still revising 'Hope' before release to improve sound and visuals

Na Hong-jin says he is still revising 'Hope' before release to improve sound and visuals

Interview ahead of the release of 〈Hope〉
Director Na Hong-jin said he is still revising 〈Hope〉 ahead of its July 15 release, continuing to work on the film's sound and visuals even after its press screening.CinePLAY met with director Na Hong-jin at an undisclosed location in Seoul's Jongno District on the afternoon of the 7th to discuss...
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

It’s a real pleasure to watch. The drama 〈21st Century Princess Consort〉, which has been airing since April 10, is set in a Republic of Korea where a constitutional monarchy is in place, and it delights viewers by blending capitalist flavor with the traditional charm of the Joseon era.
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

〈Bamis〉 is a K-dessert variety show where five world-famous pâtissiers from across Southeast Asia and five up-and-coming male Korean celebrities team up in pairs to compete in making K-desserts.
Coming in April is the K-dessert variety program 〈Bite Me Sweet〉(also known as 〈Bamis〉), which will be available globally via the OTT platform Viu, with Asia as its hub, and in Korea via Wavve. 〈Bite Me Sweet〉 is a competitive reality show where well-known pâtissiers from each country in Southeast...