Search results for "Jang Eun-sil"

Netflix's entertainment show 〈Physical: Asia〉 successfully held its global production presentation. The physical competition 〈Physical: Asia〉 featuring 8 Asian countries with their national flags took place on the 24th at the Harmony Ballroom of the Westin Seoul Parnas, attended by PD Jang Ho-ki,...

The original musical 'The Man in Hanbok', based on the life and death mystery of the genius scientist Jang Young-sil from the Joseon Dynasty, will take the stage.EMK Musical Company announced on the 17th that the tenth original musical 'The Man in Hanbok' will open on December 2 at the main theater...

Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.

Ratings surge straight up from 2. 2% to 6. 0%, a stunning catharsis launched by ’Worthlessness’JTBC’s well-made drama ’Everyone Is Fighting Their Own Worthlessness’ (hereafter ’Moja-mu-sse’) finally drew a brilliant curtain call. The final episode aired on the 24th notched 5.

Recently, director Jang Hang-jun, who has joined the ranks of ten million directors with 〈The King’s Affection〉, has chosen the film 〈Rebound〉 as his most cherished work in his filmography, which will be re-released on April 3.

Three Korean films targeting the Lunar New Year holiday received their respective report cards. First, 〈The King and I〉, which opened a week earlier than other competitors to generate buzz, saw significant results.

The only family healing movie tailored for the Lunar New Year, 〈Number One〉, is currently showing in theaters and has drawn attention by revealing its star-studded cast that enhances the film. The movie 〈Number One〉 tells the story of 'Hamin (Choi Woo-shik)', who starts to see a number decreasing...

▶ 〈Number One〉 Actor Choi Woo-shik Interview Continues Part 1. 〈Number One〉 is a film where dialogue is important, but there are many significant eating scenes. Local foods from Busan, like pickled perilla leaves and beef radish soup, also appear.

When Choi Woo-shik does it, it seems plausible. The setting where numbers appear before his eyes, the setting where a number decreases every time he eats his mom's food, and the somewhat absurd setting of leaving his hometown to avoid his mom's home-cooked meals, all transform from fantasy to a...

Three Korean films targeting the Lunar New Year holiday are ready to meet audiences with high expectations. First, released on February 4, 〈The King and the Man Who Lives〉 surpassed 1 million viewers in its opening weekend on February 9, showcasing its strength.