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A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

A Story That Began With a Piece Written by Director Yeon Sang-ho’s Mother? Behind the Scenes of ‘Paradise Lost’

Director Yeon Sang-ho has found success again with a low-budget project following 〈The Ugly〉. His new film, 〈Paradise Lost〉, opened on October 21. The psychological thriller begins when Ryu Seon-woo (Bae Hyun-sung), a son thought to be dead, miraculously returns to his mother, Ryu So-young (Kim...
| Kim Ji-yeon
[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

A reunion 15 years after ‘The King of Pigs’ won three awards, this mystery starring Kim Hyun-joo and Bae Hyun-sung opens on the 21st
'Yeon Sang-ho' has returned to the 31st 'Busan International Film Festival' with his new film 'Paradise Lost'. Fifteen years ago, he made a major mark on the film industry with the animated film 'The King of Pigs', which won three awards.
| James choi

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.
| James choi
‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
| Joo Seong-cheol
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
| Joo Seong-cheol
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol