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Search results for "Korean Queer Film History"

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
| Joo Seong-cheol
[New Film] BIFAN Double Winner 'Leviticus': A Monster Wearing a Lover’s Face… 88 Minutes of Suffocating Taboos, Opening in Theaters on the 21st

[New Film] BIFAN Double Winner 'Leviticus': A Monster Wearing a Lover’s Face… 88 Minutes of Suffocating Taboos, Opening in Theaters on the 21st

A Tragic Horror Born of Religious Oppression Leviticus 18:22 in the Bible states, "You shall not lie with a male as with a woman; it is an abomination. " Historically, 'homosexuality' has long been treated as a social taboo and a sin, and at times has been subjected to forced 'healing rituals'.
| James choi
Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

〈Carol〉 〈Portrait of a Burning Woman〉 〈Monster〉 and other major works have newly added their names to the Queer Palm lineup, a distinguished line of LGBTQIA+ films that have been showcased at Cannes.
The Queer Palm Award is an LGBTQIA+ film prize that has been independently run during the Cannes Film Festival since 2010. It honors the best LGBTQIA+ film among the official selections and the competing films shown in the parallel sections, awarding one feature-length and one short each year.
| Joo Seong-cheol
[Interview] 'HOMEWARD BOUND' Director Kim Dae-hwan:

[Interview] 'HOMEWARD BOUND' Director Kim Dae-hwan: "The most uncomfortable people in the world are family."

"The perspective of a child looking at their parents has not been well addressed in Korean cinema, so I really wanted to do it."
Cineplay Lee Hwa-jung Guest ReporterFor Director Kim Dae-hwan, 'family' was the most important unit that composed the film. The lingering feelings left in the disbanded family in his debut film 〈Homeward Bound〉 (2016) acted as a 'stumbling block' for the newlywed couple in his second film 〈First...
| Cineplay