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[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
‘The Scarecrow’ Ryu Hae-jun, a Promising Youngest Detective You Should Watch! Behind-the-Scenes Full of Passion Revealed!

‘The Scarecrow’ Ryu Hae-jun, a Promising Youngest Detective You Should Watch! Behind-the-Scenes Full of Passion Revealed!

In the ENA Mon–Tue drama ‘The Scarecrow,’ he’s capturing attention as ‘Park Dae-ho,’ a youngest detective who admires and follows Kang Seong-kyung police station’s Kang Tae-joo (Ha, Hae-su).
A behind-the-scenes photo full of passion from actor Ryu Hae-jun for ‘The Scarecrow’ has been released. Amid growing attention, Ryu Hae-jun is bringing a fresh presence to the drama in the ENA Mon–Tue series ‘The Scarecrow,’ where he plays ‘Park Dae-ho,’ the youngest detective at the Gangseong...
| Joo Seong-cheol
[Photo&] 30 Years After “Memories of Murder”… “Scarecrow” Production Press Conference Site with Park Hae-soo and Lee Hee-jun

[Photo&] 30 Years After “Memories of Murder”… “Scarecrow” Production Press Conference Site with Park Hae-soo and Lee Hee-jun

Set after 2019, when the real culprit Lee Choon-jae was revealed, “Scarecrow,” starring Park Hae-soo and Lee Hee-jun, brings healing to the wounds and pain that lasted for 30 years through a perspective distinct from “Memories of Murder.”
The 'Lee Choon-jae serial murder case', the motif of the film 'Memories of Murder', returns to the small screen. The new ENA Monday-Tuesday drama 'Scarecrow' is set after 2019, when the real culprit was identified, and delves deeply into the lives of those who were trapped for more than 30 years by...
| James choi

"Parasite, NYT Readers' Choice for Best Film of the 21st Century!"

In a large-scale reader survey conducted by The New York Times , Bong Joon-ho's film was selected as the best film of the 21st century. On the 2nd , NYT announced the results of the survey titled 'Best Film of the 21st Century' conducted with over 200,000 readers.
| 김지민
Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Series runs in Los Angeles through Nov. 14, following tributes to Song Kang-ho and Youn Yuh-jung
‘A master of subtle, versatile performances’ meets U. S. audiences The Academy Museum of Motion Pictures is presenting a special screening series spotlighting acclaimed Korean actor Park Hae-il. The Los Angeles museum officially announced that the program will run from Oct. 29 through Nov.
| James choi
[Busan International Film Festival (BIFF) Photo]

[Busan International Film Festival (BIFF) Photo] "From winning the 83rd Venice Best Actress award to the job center" ... Mathilde Arcel of 'What's Wrong With Marie?'

She won the unanimous Best Actress award for a film about a Nazi collaborator in 1945 and made her Korean debut at the Busan International Film Festival on the 11th.
"It was my first film in a leading role, and my first award at my first festival. It felt like a strange imbalance to have been in Venice just moments earlier and then find myself in a small office at a Danish job center.
| James choi
François Ozon’s ‘The Stranger’: Faithful Adaptation or Seductive Subversion?

François Ozon’s ‘The Stranger’: Faithful Adaptation or Seductive Subversion?

Albert Camus’ 「The Stranger」, long considered a near-untouchable text for filmmakers, returns to the screen in François Ozon’s bold adaptation — one that restores the colonial Algerian context the novel left at the margins. “Mother died today. Or maybe yesterday.
| Chua-young
Tim Curry, Home Alone 2's obnoxious manager, dies at 80 after battle with stroke

Tim Curry, Home Alone 2's obnoxious manager, dies at 80 after battle with stroke

He became a cult icon in 1975 with The Rocky Horror Picture Show and had suffered complications from a stroke since 2021
From cult icon to Hollywood legend: Tim Curry’s 80-year acting journey Tim Curry, the acclaimed British actor etched into the memories of audiences worldwide for his role as the obnoxious hotel manager in Home Alone 2, died peacefully at his home in Los Angeles, California, on the 25th, local time.
| James choi
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
| Chua-young
[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

After her younger sister Sora (Seung-hwa Kim), who has a criminal record for murder, is released from prison, the day-to-day life of star pet dog trainer Ha-young (Seung-yoon Choi) begins to shake.
A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.
| 이화정