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Search results for "Slow Cinema"

Hungarian Filmmaking Master Béla Tarr Passes Away… Leaving Behind the Aesthetics of Slowness

Hungarian Filmmaking Master Béla Tarr Passes Away… Leaving Behind the Aesthetics of Slowness

Master of Long Takes and Black-and-White Imagery Passes Away at 70... Leaving Milestones in Modern Film History such as 'Sátántangó'
The legendary Hungarian filmmaker Béla Tarr passed away on the 6th at the age of 70. The Hungarian Film Association announced his death through an official statement saying, "He passed away in the early morning after suffering from a serious chronic illness," expressing deep condolences from the...
| Chua-young
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

※ The interview with Jun Ji-hyun about 〈Colony〉 Part 1 continues here. Also note that the following contains spoilers for the film 〈Colony〉. Many people said she still looked great even in a blood-soaked raincoat. I’m just grateful people saw it that way.
| Seongchan Eol
[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.
Everyone had been waiting. With the release of 〈Michael〉 on May 13, it shot to #1 at the weekend box office, instantly projecting a million viewers. Zafar Jackson, Michael Jackson’s real-life nephew, debuts as the youngest member of the ‘Jackson 5’ right away, drawing attention for his musical...
| Joo Seong-cheol
Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

While a family staying at a seaside villa in the height of summer—after leaving Seoul—struggles with an unknown illness, Dora finally learns what love is, and everything begins to slowly unravel.
Ahead of the May 17 world premiere in the Directors’ Fortnight at the Cannes Film Festival, director Jeong Juri’s new work 〈Dora〉 has confirmed the Cannes joint attendance of director Jeong Juri and actors Kim Do-yeon and Ando Sakura, unveiling the trio’s invitation-day remarks.
| Joo Seong-cheol
The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

Buster Keaton turned the ‘Great Unflinching Face’ (Great Stone Face), unaffected by whatever was happening around him, into his own unmistakable style and personality.
Buster Keaton doesn’t smile—so why do we laugh when we see him? In film, action images are always a subject of curiosity, and also something we keep investigating—an inquiry that never truly stops. Our eyes automatically respond while watching films, trying to harmonize the many formal elements...
| Joo Seong-cheol
[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

I'm obsessed with subculture. I check out anything that handles fresh stories, ideas, or characters—not only films but webtoons, games, comics, and animation. Having opened the door to the world of 'geek' through printed manga, I now read comics on e-books and webtoons on my smartphone—I've become...
| Seongchan Eol
Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Director Jang Hang-jun, who became the director with a blockbuster hit for the first time with “The Man Who Lives with a King,” has brought back the story he treasures most, “Rebound,” as it reopens in theaters on April 3, returning to this spring’s moviegoing scene.
| Chua-young
Yum Hye-ran Sings Requiem Track “Friend”… Music Video for “My Name Is” Released

Yum Hye-ran Sings Requiem Track “Friend”… Music Video for “My Name Is” Released

New work by Director Jeong Ji-young, a teaser for a 5-minute ending credit featuring 10,000 citizen supporters… In theaters April 15
This spring, Director Jeong Ji-young’s new film, 〈My Name Is〉, is set to deliver a heavy, resonant impact at theaters. The film has released the music video for “Friend,” featuring lead actress Yum Hye-ran’s voice.
| Chua-young
‘Tanyontail’ Heo Gwang-han, Won Ye-rim, and Director Gong Jo-pyeong Present the 'Worldview Introduction Video'!

‘Tanyontail’ Heo Gwang-han, Won Ye-rim, and Director Gong Jo-pyeong Present the 'Worldview Introduction Video'!

Director Gong Jo-pyeong explained, “〈Tanyontail〉’s one year in the adult world is equivalent to one day in the youth world,” describing the film's unique concept of time.
A world where a day flows as a year, and another world where a day flows as a day. The fantasy romance 〈Tanyontail〉 depicts the love of two people who meet in different speeds of time, and it is generating excitement among audiences with the release of its worldview introduction video ahead of its...
| Joo Seong-cheol