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Song Hye-kyo Ends Her Partnership With UAA After 14 Years in a “Beautiful Breakup”…Plans to Go Solo With a One-Person Agency

Song Hye-kyo Ends Her Partnership With UAA After 14 Years in a “Beautiful Breakup”…Plans to Go Solo With a One-Person Agency

UAA, her agency, says in an official statement that her exclusive contract has ended and that both sides will cheer for each other’s future. Starting with a manager role and building a working bond for 27 years, she also parts ways with CEO Park Hyun-jeong, choosing separate paths on the basis of deep trust. She is preparing to launch a one-person agency with long-time dedicated staff and is expected to return to Netflix in the second half of the year, with “Slowly But Intensively.”
Actor Song Hye-kyo is leaving UAA, where she has been for 14 years, and is starting anew. UAA Announces Expiration of Exclusive Contract and Its Official Position In an official statement released on the 26th, UAA said, “Our exclusive contract with Song Hye-kyo recently expired.
Kawaii Yumi Starring 'Today the Sky is the Best, But I Can't Say It Yet' Releasing in November

Kawaii Yumi Starring 'Today the Sky is the Best, But I Can't Say It Yet' Releasing in November

〈Riding the Summer Film!〉 Kawaii Yumi X 〈That Beautiful One〉 Riku Hagiwara Japanese Rising Stars Gather
〈Today the Sky is the Best, But I Can't Say It Yet〉 has confirmed its release in November and unveiled a teaser poster that hints at a unique youth narrative. Set to release in November, 〈Today the Sky is the Best, But I Can't Say It Yet〉 is a mind-unboxing drama depicting the process of youth who...
‘Day and Night, To Each Other’ Releases First Press Stills! Coffee-Scented, Distinctive Aesthetic

‘Day and Night, To Each Other’ Releases First Press Stills! Coffee-Scented, Distinctive Aesthetic

A playful, charming film capturing conversations between day and night as they pass through a cafe over the course of a single season.
Selected as the opening film of the 31st Busan International Film Festival, 〈Day and Night, To Each Other〉 sold out every seat at the opening ceremony as soon as advance ticket sales began. The film has now released its first press stills.
Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...
Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure.
Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

In 〈The Intern〉, Han So-hee plays Seon-woo, a fast-rising fashion CEO whose drive masks deep uncertainty. The film, which opens on the 16th, is a character drama about a woman who, amid instability, gradually finds her own steadiness.
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
Interview: Gong Hyo-jin on the bittersweet power of 〈Gyeongju Trip〉 (Part 2)

Interview: Gong Hyo-jin on the bittersweet power of 〈Gyeongju Trip〉 (Part 2)

※The interview with actor Gong Hyo-jin for 〈Gyeongju Trip〉 continues from Part 1. Your chemistry with Park So-dam, who plays the second sister Young-ju, and Lee Yeon, who plays the youngest sister Dong-ju, felt strikingly natural on screen. What was it like working together on set.
[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.
Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Jointly organized with the Korean Film Archive for the festival's Oct. 6 opening, the program will feature five master directors, including Lee Jang-ho and Bae Chang-ho, and a commemorative book
The brilliant career of a beloved national actor returns to the screen This year's 'Busan International Film Festival' is preparing a special showcase spotlighting the career of 'Ahn Sung-ki', a living legend of Korean cinema.