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[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark“Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

I go crazy for subculture. I check out anything with fresh stories, settings or characters — not only films but webtoons, games, comics and animation. I entered the world of fandom through comics: as an adult I read comics as e-books and webtoons on my smartphone, a self-described 'kidult.' But it's less fun alone. I write Seong Chan-eol's Comics to share things that are more enjoyable together, seen from the perspective of an omnivorous fan.
To be frank, this is one of my current favorite comics, but it’s one I avoided writing about for a while. It’s wildly fun and genuinely heart-fluttering, but the barrier to entry is high. If even I, a fan of the series, felt that hesitation, I wasn’t sure how many readers would go along with it.
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.