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Brian Leaves Behind 'Management Hell' 300-Pyeong Mansion for Farming Experience... Struggles with Obsessive-Compulsive Disorder

Brian Leaves Behind 'Management Hell' 300-Pyeong Mansion for Farming Experience... Struggles with Obsessive-Compulsive Disorder

Expresses Burden of Managing Large Mansion, Shows 'Extreme' Reactions to Production Team's Farming Experience Gift
Singer Brian left his 300-pyeong mansion in Pyeongtaek to experience farming in the countryside, but faced unexpected difficulties, showing 'extreme' reactions. In a video recently released on the YouTube channel 'The Brian', Brian expressed the stress and psychological burden of managing a large...
| Yangsimoh
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​ ▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1. ​ I think you must have been thinking hard about the title. I also feel that the title 〈Namtaeryeong〉 has a tone that isn’t so different from 〈Adult Gimjangha〉.
| 이화정
Chef Ahn Seong-jae, Following 'Gim' from the U.S. to Wando... Sharing the Present and Future of 'Gim' in 'K-GIM Revolution'

Chef Ahn Seong-jae, Following 'Gim' from the U.S. to Wando... Sharing the Present and Future of 'Gim' in 'K-GIM Revolution'

〈K-GIM Revolution〉 Ahn Seong-jae Highlights the Value of 'Gim' as a Global Presenter
Chef Ahn Seong-jae illuminated the present and future of 'Gim', a representative ingredient of South Korea. On the 28th, Ahn Seong-jae appeared as a global presenter on MBC 〈K-GIM Revolution〉 (The K-GIM Revolution), conveying the value and competitiveness of 'Gim', a key ingredient of South Korea.
| Kim Ji-yeon
An Unknown Journey to Rediscover the True Meaning of Life in a Survivalist Society 〈Unknown Seoul〉

An Unknown Journey to Rediscover the True Meaning of Life in a Survivalist Society 〈Unknown Seoul〉

A woman in a red tracksuit kicks a deflated soccer ball against a wall in an empty lot and says, “Was this thrown away because it was deflated. Or was it deflated because it was thrown away. Is this how I live because I look like this. Or do I look like this because I live like this.
| Chua-young