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[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

Tickets for the 16th Seoul International PRIDE Film Festival, running Nov. 5-11, go on sale at 4 p.m. on Friday, Oct. 23.
PRIDE is a symbolic word that expresses the self-esteem of sexual minorities and encompasses all LGBTQIA+ people. A showcase of solidarity that brings some of the world’s best queer films to Korean audiences, the 16th Seoul International PRIDE Film Festival begins ticket sales at 4 p. m.
| Joo Seong-cheol
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
| Joo Seong-cheol
Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer horror 'Leviticus' and crime thriller 'Knock' were named best at the 30th Bucheon International Fantastic Film Festival The festival also revealed winners of the newly created AI film award
A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolution The 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to...
| James choi
Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
| Kim Ji-yeon
Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

The original novel of the Cannes Film Festival screenwriting winner, released in South Korea, shot to No. 1 on bestseller lists at the same time theaters won hearts.
The aftershocks of the masterfully crafted masterpiece chosen by the Cannes Film Festival are rippling beyond the screen, creating a seismic shift in the publishing world. The ‘Bring Me to the Back Seat Original Novel’, released through official channels in South Korea on the 15th, regained...
| James choi
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​ ▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1.
| 이화정
Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

〈Carol〉 〈Portrait of a Burning Woman〉 〈Monster〉 and other major works have newly added their names to the Queer Palm lineup, a distinguished line of LGBTQIA+ films that have been showcased at Cannes.
The Queer Palm Award is an LGBTQIA+ film prize that has been independently run during the Cannes Film Festival since 2010. It honors the best LGBTQIA+ film among the official selections and the competing films shown in the parallel sections, awarding one feature-length and one short each year.
| Joo Seong-cheol
Seoul Independent Film Festival, 'SIFF X Byeon Wooseok: Shorts on 2025' Final Selected Works

Seoul Independent Film Festival, 'SIFF X Byeon Wooseok: Shorts on 2025' Final Selected Works

A Special Project Creating the Foundation for Future Korean Cinema
The collaboration between the Seoul Independent Film Festival and Byeon Wooseok has resulted in three films. The Seoul Independent Film Festival announced a project with actor Byeon Wooseok last September. 'SIFF X Byeon Wooseok: Shorts on 2025' is a newly established production support project...
| Seongchan Eol
From Hong Seok-cheon to Kinky and Jamie, All Gathered! The 15th Seoul International Pride Film Festival Opening Ceremony

From Hong Seok-cheon to Kinky and Jamie, All Gathered! The 15th Seoul International Pride Film Festival Opening Ceremony

The largest queer film festival in our country, the Seoul International Pride Film Festival, kicked off its fifteenth edition on November 6th (Thursday) at 7 PM at CGV Piccadilly 1958.
The 15th Seoul International Pride Film Festival (SIPFF, Executive Chairman Kim Jo-gwang-su) successfully held its opening ceremony on November 6th, Thursday at 7 PM at CGV Piccadilly 1958, marking the start of the festival that will run for a total of 7 days.
| Joo Seong-cheol
[Interview] 'HOMEWARD BOUND' Director Kim Dae-hwan:

[Interview] 'HOMEWARD BOUND' Director Kim Dae-hwan: "The most uncomfortable people in the world are family."

"The perspective of a child looking at their parents has not been well addressed in Korean cinema, so I really wanted to do it."
Cineplay Lee Hwa-jung Guest ReporterFor Director Kim Dae-hwan, 'family' was the most important unit that composed the film. The lingering feelings left in the disbanded family in his debut film 〈Homeward Bound〉 (2016) acted as a 'stumbling block' for the newlywed couple in his second film 〈First...
| Cineplay