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[Joo Seong-cheol's Locker] What Beer Did Sergio (Benicio Del Toro) Always Carry in 'One Battle After Another'?

I get fascinated by objects in movies. I ponder deeply why that object was placed in front of the camera, whether by the director, cinematographer, art director, or actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

〈One Battle After Another〉 made me curious about the beer that Sergio (Benicio Del Toro) always carried. It was that can of beer that he casually handed to Bob Ferguson (Leonardo DiCaprio), who was stuck on the phone, unable to recall the code word. Later, when Bob Ferguson was rescued from the hospital and immediately got into Sergio's car, it was the beer he offered, which also led to them being chased by the police. The beer that Sergio drinks almost like water is none other than the Mexican beer 'Modelo'. Founded in 1925, the Modelo Group in Mexico also produces the well-known beer 'Corona'. Like Terra and Kelly, Corona and Modelo are brother beers. Moreover, it surpassed Budweiser to become the best-selling beer in the U.S. last year, and I heard it is now available at E-Mart, so I went to buy some right away. While it didn't make me want to dance on the highway like Sergio, it was just the right authentic pale lager taste for everyday drinking.

 

Modelo beer released in the country this year
Modelo beer released in the country this year

In 〈One Battle After Another〉, Modelo also represents the strong emotions of the Hispanic community led by Sergio. As the number of Hispanic immigrants increased, it became the best-selling beer overall. Additionally, thanks to the film's popularity, various parody photos could be seen on social media. From photos holding Modelo in front of theater signs to pictures of DiCaprio wearing the bathrobe while drinking Modelo, there were even recreations of Sergio being arrested with his arms tied while drinking Modelo. According to estimates from the production company Warner Bros., the film's box office performance fell far short of the break-even point, yet one could read the passionate affection fans have for this movie.

 

Photos collected from social media
Photos collected from social media

I liked Sergio, played by Benicio Del Toro, who is the 'Sensei' and leader of the Mexican immigrant community. Moreover, Benicio Del Toro is the one who played Che Guevara in Steven Soderbergh's 〈Che〉 two-part series (2008). Personally, he felt like the 'Open' Ark that always appears in Kim Yong's martial arts novels. He reminded me of a free-spirited hero who is always willing to help others, the ultimate embodiment of a hero. I wonder if he was intentionally named Sergio, but when he told Bob, who was shouting for revolution, "We have been suffering for hundreds of years," I could see a resemblance to Charles Bronson in Sergio Leone's 〈Once Upon a Time in the West〉 (1968). The nameless man he played, who plays the harmonica, is a character who embraces Mexico's sad history and dreams of revenge, yet his expression is always calm and peaceful.

 

〈One Battle After Another〉
〈One Battle After Another〉
〈One Battle After Another〉
〈One Battle After Another〉

 In the extension of that calmness, when Sergio in 〈One Battle After Another〉 drinks beer and hums, "Sometimes you win, sometimes you lose," despite the fact that soldiers are about to burst in, I could feel his character, which is hard to gauge. Perhaps Sergio's Modelo can is like the harmonica that Charles Bronson always held. Moreover, as he teaches Willa (Chase Infinity) about 'breathing' while teaching karate, saying, "Imagine the waves," it leads to the climax's twisting car chase, where Willa catches her breath and suddenly stops the car. Although his role was small, Sergio was indeed the true protagonist of 〈One Battle After Another〉 and a superhero who looks to the future.

 

〈One Battle After Another〉
〈One Battle After Another〉
〈One Battle After Another〉
〈One Battle After Another〉

 PS. It was also interesting that Sergio was subtly set up as a movie buff. The name of the karate dojo he runs is 'Ninja Academy', and there is a 〈Superman〉 Japanese poster behind his desk. Moreover, although it was very brief, the ringtone on his phone was the theme song 'Eye of the Tiger' from Sylvester Stallone's 〈Rocky III〉 (1982). While being chased by the police, when he shouted at DiCaprio, who couldn't jump out of the car, "Tom f***ing Cruise!" as if to mean, "Do it like Tom Cruise, who actually performs all the action scenes himself," and threw him out of the car, it was undoubtedly the highlight.

***** Starting with 'Joo Seong-cheol's Locker', which excessively attributes meaning to objects in movies, the actor's user manual 'Kim Ji-yeon's Jewelry Box', the movie music appreciation room 'Choo Ah-young's Music Box' that moved my heart, and the subculture merchant's purchase diary 'Sung Chan-eol's Comic Book' will be serialized biweekly by Cineplay reporters, each with their own tastes and perspectives. *****

[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

I get fascinated by objects in movies. I deeply ponder why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

I am fascinated by objects in movies. I ponder deeply why directors, cinematographers, art directors, or even actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

I get attached to objects in movies. I deeply ponder why the director, cinematographer, art director, or actor placed that object in front of the camera. 'Joo Sung-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.

[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

I get fascinated by objects in movies. I fall into deep contemplation about why that object was placed in front of the camera, whether it be the director, cinematographer, art director, or an actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] The King Lear of Korea and Japan, Lee Soon-jae and Nakadai Tatsuya, Two Masters Rest

[Joo Seong-cheol's Locker] The King Lear of Korea and Japan, Lee Soon-jae and Nakadai Tatsuya, Two Masters Rest

I become fascinated by objects in movies. I fall into deep contemplation about why those objects were placed in front of the camera, whether by the director, cinematographer, art director, or actors. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Seong-cheol's Locker] When Trees Comfort Trees, the Cello of 'The Moment the Bell Rings' and 'Can't Help It'

[Joo Seong-cheol's Locker] When Trees Comfort Trees, the Cello of 'The Moment the Bell Rings' and 'Can't Help It'

I become fascinated by objects in movies. I find myself deeply contemplating why the director, cinematographer, art director, or even the actors chose to place that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in films that have softly caught my eye.

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.

[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

[Joo Seong-cheol's Locker] Tony Leung Sometimes Wants to Hold an Ashtray.

I get fascinated by objects in movies. I ponder deeply about why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.

[Joo Sung-chul's Locker] If it's hard to visit Cheongnyeongpo of Deposed King Danjong, head to Geumseongdang of Prince Geumseong!

[Joo Sung-chul's Locker] If it's hard to visit Cheongnyeongpo of Deposed King Danjong, head to Geumseongdang of Prince Geumseong!

Located in Jingwan-dong, Eunpyeong-gu, Seoul, Geumseongdang is a shrine dedicated to the deified Prince Geumseong and also serves as a shamanism museum.

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.

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