
[OTT Ratings]
Lee Jae-wook, Ko Min-si, Kim Min-ha and Lee Hee-jun star in a horror series about working to survive. The Netflix series 〈Dead-End Job〉 premiered on October 30. Set at a strange employment agency that offers only seemingly cushy part-time jobs paying at least 50 times the usual hourly wage, 〈Dead-End Job〉 follows a young man named Hyuk-jun as he is sent to nightmarish workplaces. Cineplay reporter Kim Ji-yeon shares her thoughts after binge-watching 〈Dead-End Job〉.
Kim Ji-yeon / ★★★ / Snack-sized horror for Gen Z and Gen Alpha, with moments from almost any scene that could go viral as memes
The episodes have very little narrative connection until after Episode 6, which is both a strength and a weakness. Sampling horror subgenres including ghost stories, creature features, slashers and liminal-space horror, the series gives each episode its own visual appeal. What begins as snack-sized horror tailor-made for short-form clips becomes, by the finale, a fairly direct indictment of society’s structural contradictions. The shift in tone from the middle episodes is stark enough to divide viewers. Thinking of 〈Possible Love〉, which is being released around the same time, it feels both coincidental and oddly curious that Netflix has recently begun telling stories about labor and social contradictions.



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