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Search results for "79th Cannes International Film Festival"

[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

A dazzling 12-day journey, the artistic questions Cannes left behind
A Master Returns, Reaching the Peak of CannesThe eyes of cinephiles around the world were on the 79th Cannes Film Festival, and its top honor, “Palme d’Or,” went to Romanian master “Christian Mungiu.” The winning film, “Fjord,” is a sharp examination of modern society’s extremism through the...
| James choi
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor“To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi
[Photo &] Winners Announced for La Cinéf at the 79th Cannes International Film Festival—A Dream Stage for Film Students Around the World

[Photo &] Winners Announced for La Cinéf at the 79th Cannes International Film Festival—A Dream Stage for Film Students Around the World

At the 79th Cannes International Film Festival’s student short film competition, director Jin Misong wins second place for “Silent Voice”
Winners Announced for La Cinéf at the 79th Cannes International Film Festival—A Dream Stage for Film Students Around the WorldWith film industry attention focused worldwide, the final winners in the “79th Cannes International Film Festival” “La Cinéf” category have been officially announced.
| James choi
[Photo &] Park Chan-wook, First-Ever Korean Jury President at Cannes: “Korea Is No Longer a Peripheral Player”

[Photo &] Park Chan-wook, First-Ever Korean Jury President at Cannes: “Korea Is No Longer a Peripheral Player”

Press Conference at the Opening Ceremony of the 79th Cannes Film Festival... “We Will Judge Fairly Through the Eyes of Pure Viewers, Without Any Special Privileges for Korean Films”
From the Margins to the Center, a Boast by “Korean Cinema”“‘Korea’ is no longer a peripheral country in the film world. As a result, I have been assigned the role of ‘jury president.’”The director ‘Park Chan-wook’, appointed as the jury president for the competitive section of the ‘79th Cannes Film...
| James choi
Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Officially selected for the 74th festival’s Perlak section, the film stars Hwang Jung-min, Jo In-sung and Jung Ho-yeon in a struggle against an unknown life-form
K-creature films evolve, commanding Europe’s most prestigious screens‘Hope’, the latest film from South Korea’s unrivaled thriller auteur Na Hong-jin, is making an overwhelming impact on the global cinema landscape.
| James choi
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival.CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
| Kim Ji-yeon
Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

A return 10 years after “The Wailing.”
[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin UniverseThe return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...
| James choi
'Oldboy' Gets Its First Official Publication: 'Park Chan-wook Screenplay Collection' Released

'Oldboy' Gets Its First Official Publication: 'Park Chan-wook Screenplay Collection' Released

'Oldboy,' 'JSA,' and other scripts are included in the first official print release—featuring nine representative works. A look at filmmaker Park Chan-wook's cinematic universe through text
Dissecting the skeleton of the screen in print: the master's mise-en-scène comes back to life as text"You know you're a good guy. So you understand why I'm going to kill you, right. " ('Vengeance Is Mine')"You take care of yourself.
| James choi
Yeon Sang-ho and Jun Ji-hyun’s <i>Swarm</i> surpasses 5 million viewers… a second record of the year

Yeon Sang-ho and Jun Ji-hyun’s Swarm surpasses 5 million viewers… a second record of the year

Takes the 5 million mark in just 24 days after release. Culture Minister Choi Hwi-young praises the overwhelming zombie acting as “an art form.”
Overwhelming terror that swallowed up theaters, “Swarm” takes the 5 million-viewer milestoneYeon Sang-ho’s universe keeps evolving. “Swarm”, the K-zombie thriller that opens a new chapter for the genre, drove a long run by surpassing 5 million cumulative viewers just 24 days after its release.
| James choi
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi