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Search results for "Gi Ju-bong"

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

▶ 〈Teach You a Lesson〉 Jin Gi-ju interview continues from Part 1. What were your real school days like. They were just ordinary. I would cram for tests, I really wanted to hang out every day but studied because I had to, and I loved club activities. Did a teacher ever actually hit you.
| Chua-young
Webtoon Live-Action ‘The Girl in Class’ Unveils 3 Key Viewing Points Ahead of Its May 31 Release

Webtoon Live-Action ‘The Girl in Class’ Unveils 3 Key Viewing Points Ahead of Its May 31 Release

Kim Myung-jun, Jini, and Lee Ye-in preview their debut-first-love chemistry—clumsy yet pure—with their youthful romance The adaptation of webtoon author Park Su-bong’s original work captures the signature sense of space with analog color and careful, detailed direction A tender, lingering unrequited crush from school days that anyone across generations can relate to
Ahead of its release, 〈The Girl in Class〉 introduced three viewing points and raised expectations. The fresh chemistry three youths will create Based on the webtoon of the same name, 〈The Girl in Class〉 shared three viewing points to captivate viewers ahead of its May 31 release.
| Seongchan Eol
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
Screen Breaks Through to 800,000! 'Choir of God' Surpasses Cumulative Audience!

Screen Breaks Through to 800,000! 'Choir of God' Surpasses Cumulative Audience!

Now aiming for 1 million viewers, Megabox is currently holding a sing-along screening event with great enthusiasm.
According to the integrated computer network of the Korean Film Council on January 30, the film 〈Choir of God〉 has surpassed a cumulative audience of 800,000 as of this date. This remarkable achievement comes after a series of reversals since its release on December 31, reaching this milestone in...
| Joo Seong-cheol
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Joo Seong-cheol
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
| Joo Seong-cheol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
| Chua-young
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
| Joo Seong-cheol