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Search results for "I'm Crazy Because of You"

Can This Love Be Translated? Kim Seon-ho ②

Can This Love Be Translated? Kim Seon-ho ② "I think my reaction creates the image of the other character while acting"

▶ 〈Can This Love Be Translated. 〉 Kim Seon-ho Actor Interview continues in Part 1. There were many overseas location shoots. Among Japan, Italy, and Canada, which country left the biggest impression on you. Italy was great, and everything was good, but I can't forget the shock of seeing the aurora.
| Chua-young
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Rossum Appears on the Popular Podcast “Call Her Daddy” on the 8th, Telling for the First Time the Backstory of Her Marriage to Former Music Producer Justin Siegel
Emmy Rossum (39), the star of the U.S. hit drama Shameless and well known in South Korea for The Phantom of the Opera, laid bare shocking behind-the-scenes details, in her own words, about her secret marriage and divorce with her former husband, music producer Justin Siegel, which took place only a...
| Yangsimoh
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

“You catch a crazy person with another crazy person. ” Im Han-lim — someone who acts without hesitation when convinced they are right — confronts those who have undermined the educational environment, often with behavior that exceeds common sense.
| Chua-young
[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

I go crazy for subculture. I check out anything with fresh stories, settings or characters — not only films but webtoons, games, comics and animation. I entered the world of fandom through comics: as an adult I read comics as e-books and webtoons on my smartphone, a self-described 'kidult.' But it's less fun alone. I write Seong Chan-eol's Comics to share things that are more enjoyable together, seen from the perspective of an omnivorous fan.
To be frank, this is one of my current favorite comics, but it’s one I avoided writing about for a while. It’s wildly fun and genuinely heart-fluttering, but the barrier to entry is high. If even I, a fan of the series, felt that hesitation, I wasn’t sure how many readers would go along with it.
| Seongchan Eol
Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still. Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol