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Search results for "I Don't Know Where It's Going"

'I Don't Know Where It's Going' Jjuyang and Moon Se-yoon, Tease Eating Competition

'I Don't Know Where It's Going' Jjuyang and Moon Se-yoon, Tease Eating Competition

The production team was flustered by the consecutive large orders
Jjuyang and Moon Se-yoon caught attention by teasing an eating competition.The entertainment program 'I Don't Know Where It's Going' (hereinafter 'IDK') is a relay entertainment show that finds 100% reliable real restaurants recommended by the best restaurant owners without any prior arrangements,...
| Seongchan Eol
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
| James choi
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young