Search results for "If You Look Into Your Eyes"

"The expression 'real feeling' in the movie's dialogue is the most essential. I hope the audience can feel a renewed sense of 'being alive' through this film. "Sho Miyake, the current and most notable cineaste in the Japanese film industry, visited Korea.

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...

Park Eun-bin arrived for the interview dressed like Chaeni, the fiery heroine she plays in 〈The WONDERfools〉. In a yellow knit hood and an oversized shirt that summoned late-1990s style, she said she had worn the same outfit to the show's first script reading to recapture that initial resolve.

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.

There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.

This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.

Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.

History is usually left as the sentences of the winners. The lives of the losers are condensed into a few lines of records. Danjong has also been remembered that way. The deposed young king, the exiled boy, the unfortunate monarch who ultimately perished.

※〈Humint〉 Park Jung-min Interview Part 2 continues from Part 1. Park Geon is a lonely character. I feel that this character trait resonates with the characters from past French noir films. I'm curious if there are any movies or characters that you referenced in expressing the character's loneliness.