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Search results for "Manu"

Disney’s Live-Action “Moana” Opens…Dwayne Johnson Perfect Synchronization Draws Buzz

Disney’s Live-Action “Moana” Opens…Dwayne Johnson Perfect Synchronization Draws Buzz

“Moana” returns to the big screen in live action after 10 years. Casting that beat a 30,000-to-1 competition and vivid Pacific island cultural details deliver an overwhelming sense of immersion
A massive ocean wave in the Pacific awakens in the breath of live action after 10 yearsDisney Animation’s landmark masterpiece 'Moana' has returned after a decade-long wait as a spellbinding live-action film. Hitting screens on Aug.
| James choi

"Is the Lawyer in the Defendant's Seat?"... 'The Lincoln Lawyer' Season 4 Released, Mickey Haller's Greatest Crisis

Released on Netflix on the 5th... Mickey Haller, wrongfully accused of murder in the trunk body case, proves his innocence based on the original work 'The Law of Innocence', "the most emotional and personal season ever". With the surprise return of Neve Campbell, the 'dream team' is complete... Netflix has already confirmed the production of Season 5.
Using the roads of LA as his office, 'The Lincoln Lawyer', Mickey Haller is now sitting not in the defense seat but in the defendant's seat. According to Netflix on the 6th , the popular courtroom drama 'The Lincoln Lawyer' Season 4 was released simultaneously worldwide on the 5th.
| Yangsimoh

"Aquaman and Drax Meet"... 'The Wrecking Crew', A Revival of 90s Macho Action?

Starring Jason Momoa and Dave Bautista in a buddy movie... "It starts with muscles and ends with muscles" reminiscent of 90s retro action like 'Lethal Weapon'... "The story may be thin, but the impact is certain" directed by the DC 'Blue Beetle' director... A chaotic crime-fighting adventure of half-brothers
Hollywood's two 'physical monsters' Jason Momoa and Dave Bautista have teamed up. Their new film 'The Wrecking Crew ' is evoking the nostalgia of 90s video rental stores and thrilling action fans. This movie is a typical buddy action comedy that embodies the style of 'Lethal Weapon' and 'Tango &...
| Yangsimoh
A Glimpse into the World of a Master: Celebrating the 100th Anniversary of Yoo Hyun-mok with Unreleased Manuscripts and Original Storyboards

A Glimpse into the World of a Master: Celebrating the 100th Anniversary of Yoo Hyun-mok with Unreleased Manuscripts and Original Storyboards

Experience the World of Director Yoo Hyun-mok through Two Exhibitions Prepared by the Korean Film Archive
The Korean Film Archive is unveiling materials to celebrate the 100th anniversary of Yoo Hyun-mok's birth.Director Yoo Hyun-mok is a master who left various works in the Korean film industry since the 1960s, directing films such as 〈Obaltan〉 (1961), 〈The Daughters of Kim's Pharmacy〉 (1963), 〈The...
| Seongchan Eol
Moon Jeong-hee Publishes Photo Essay Capturing Memories with Her Dog Manu

Moon Jeong-hee Publishes Photo Essay Capturing Memories with Her Dog Manu

In Collaboration with Publisher MUZE Operated by Park Jung-min
Moon Jeong-hee has published the essay 〈Manu Story〉 sharing memories with her dog. Actress Moon Jeong-hee announced through her agency that she will release the photo essay 〈Manu Story〉 on October 22. The book contains memories of her dog Manu, who was part of the family for seven years.
| Seongchan Eol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

High-level car chases even before he got his Class 1 license. In Na Hong-jin’s new work “Hope,” the film showcases the performance of the beloved Hyundai Stella, resurrected as a police car in the memories.
Na Hong-jin, the director who represents Korea’s unmatched auteur tradition, has finally unveiled his new film Hope . Released on Jan. 15, the movie seized theaters immediately, and it is a science fiction action thriller that depicts a desperate human battle against an unknown presence in the...
| James choi
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol