Search results for "Manu Story"

Experience the World of Director Yoo Hyun-mok through Two Exhibitions Prepared by the Korean Film Archive

In Collaboration with Publisher MUZE Operated by Park Jung-min

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.

“Moana” returns to the big screen in live action after 10 years. Casting that beat a 30,000-to-1 competition and vivid Pacific island cultural details deliver an overwhelming sense of immersion

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.

Director Na Hong-jin’s 'Hope' heads to the Competition lineup, and director Yeon Sang-ho’s 'GUNCHE' receives an invitation—key lineups for the 79th Cannes Film Festival are revealed in full!