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'The Trap of Desire' works as Jang Seo-hee’s villain makeover lands a hit—opens with a 6.4% start from episode 1

'The Trap of Desire' works as Jang Seo-hee’s villain makeover lands a hit—opens with a 6.4% start from episode 1

As of the 11th, nationwide viewership hits 6.4%… sharp attention on a provocative storyline including a chaebol heiress’s inferiority complex going out of control and Jang Seo-hee’s chilling partner-in-crime
KBS 2TV’s new daily drama 'The Trap of Desire' swallowed up viewers from episode 1. The series kicked off strongly as actor Jang Seo-hee—who has reigned as the so-called 'Queen of Revenge Dramas'—made a chilling shift into a villain role, while an audacious turn of events involving arson ran...
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
[Choo Ah-young’s Music Box] Magical Moments Made from Clashing Images and Sound in ‘Heaven Knows What’

[Choo Ah-young’s Music Box] Magical Moments Made from Clashing Images and Sound in ‘Heaven Knows What’

I’m drawn to music in movies. Sometimes, music conveys a character’s private feelings that images and dialogue alone cannot fully express. It can also offer a window into a creator’s hidden intentions. For me, understanding a film’s music has been one way to reach the film itself.
[At the Busan International Film Festival] Michelle Yeoh returns to Busan after 15 years, a proud symbol of Asian cinema after breaking through the “minority” barrier

[At the Busan International Film Festival] Michelle Yeoh returns to Busan after 15 years, a proud symbol of Asian cinema after breaking through the “minority” barrier

Asian Film Person of the Year Award winner expresses interest in new film “My Grandma Is the Cube King” and working with acclaimed directors
A 40-year acting journey that broke Hollywood’s glass ceiling becomes a milestone for Asian cinema "Like the Busan International Film Festival, I have walked this path for a long time. We all started in Asia with the goal of taking our films and culture to the world, and I believe we ultimately...
Genre Series Led by Song Kang and Son Suk-ku Seize Primetime — How ‘Four Hands,’ ‘Field Mouse’ and Others Broke Through 7.9% Ratings

Genre Series Led by Song Kang and Son Suk-ku Seize Primetime — How ‘Four Hands,’ ‘Field Mouse’ and Others Broke Through 7.9% Ratings

tvN’s ‘Four Hands’ and Netflix’s ‘Field Mouse’ lead a string of bromance hits, optimizing genre series for buzz and efficiency
From Netflix’s No. 1 non-English series ‘Field Mouse’ to upcoming drama ‘Full Count,’ genre series trend captures buzz and efficiency The television landscape has been shifting rapidly. The wave of female-led stories that dominated primetime last year has receded, making way for ‘bromance’ series...
Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Director Julia Ducournau, who won the Palme d'Or at the Cannes Film Festival with the film 〈Titane〉, returns with her new work 〈Alpha〉. Ducournau built a distinctive cinematic worldview by depicting forbidden desire with striking mise-en-scène in films such as 〈Raw〉 and 〈Titane〉.
Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

In 〈Assassins〉, rookie reporter Yeong-il, played by Lee Min-ho, emerges as the film’s driving force. A rookie reporter on the social affairs desk, he goes to cover the August 15, 1974 Liberation Day event and witnesses the deaths — first the first lady, and then the female student he had been...
‘Made in Korea Season 2’: Hyun Bin Takes Action as Explosion Nears! One Unpredictable Choice After Another!

‘Made in Korea Season 2’: Hyun Bin Takes Action as Explosion Nears! One Unpredictable Choice After Another!

Episodes 3 and 4, released on the 16th, delivered breathless tension as the characters’ relationships became increasingly tangled in unpredictable directions and one crisis followed another.
The noir drama 〈Made in Korea Season 2〉, which follows Baek Ki-tae’s perilous journey as he races toward even greater ambitions nine years later, released episodes 3 and 4 on the 16th. The episodes delivered breathless tension as the characters’ relationships became increasingly tangled in...
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.