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'The Trap of Desire' works as Jang Seo-hee’s villain makeover lands a hit—opens with a 6.4% start from episode 1

'The Trap of Desire' works as Jang Seo-hee’s villain makeover lands a hit—opens with a 6.4% start from episode 1

As of the 11th, nationwide viewership hits 6.4%… sharp attention on a provocative storyline including a chaebol heiress’s inferiority complex going out of control and Jang Seo-hee’s chilling partner-in-crime
KBS 2TV’s new daily drama 'The Trap of Desire' swallowed up viewers from episode 1. The series kicked off strongly as actor Jang Seo-hee—who has reigned as the so-called 'Queen of Revenge Dramas'—made a chilling shift into a villain role, while an audacious turn of events involving arson ran...
Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Julia Ducournau’s ‘Alpha’ May Be the Year’s Most Polarizing Film

Director Julia Ducournau, who won the Palme d'Or at the Cannes Film Festival with the film 〈Titane〉, returns with her new work 〈Alpha〉. Ducournau built a distinctive cinematic worldview by depicting forbidden desire with striking mise-en-scène in films such as 〈Raw〉 and 〈Titane〉.
Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

In 〈Assassins〉, rookie reporter Yeong-il, played by Lee Min-ho, emerges as the film’s driving force. A rookie reporter on the social affairs desk, he goes to cover the August 15, 1974 Liberation Day event and witnesses the deaths — first the first lady, and then the female student he had been...
‘Made in Korea Season 2’: Hyun Bin Takes Action as Explosion Nears! One Unpredictable Choice After Another!

‘Made in Korea Season 2’: Hyun Bin Takes Action as Explosion Nears! One Unpredictable Choice After Another!

Episodes 3 and 4, released on the 16th, delivered breathless tension as the characters’ relationships became increasingly tangled in unpredictable directions and one crisis followed another.
The noir drama 〈Made in Korea Season 2〉, which follows Baek Ki-tae’s perilous journey as he races toward even greater ambitions nine years later, released episodes 3 and 4 on the 16th. The episodes delivered breathless tension as the characters’ relationships became increasingly tangled in...
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...