LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "class boundaries"

[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

I'm obsessed with subculture. I check out anything that handles fresh stories, ideas, or characters—not only films but webtoons, games, comics, and animation. Having opened the door to the world of 'geek' through printed manga, I now read comics on e-books and webtoons on my smartphone—I've become...
| Seongchan Eol
BTS' 'Butter' Surpasses 1.5 Billion Spotify Streams, Marking Group's Third Milestone

BTS' 'Butter' Surpasses 1.5 Billion Spotify Streams, Marking Group's Third Milestone

The mega-hit, released in May 2021, follows 'Dynamite' and 'My Universe' in reaching the landmark.
Global pop icons' unstoppable hit-making streakBTS' 'Butter' has surpassed 1. 5 billion cumulative streams on Spotify, the world's largest music streaming platform. Big Hit Music officially announced the milestone on the 3rd, once again underscoring the group's enduring global influence. The 1.
| James choi
Anthony Hopkins rekindles 60-year musical passion at 89 with orchestral album conducted by Gustavo Dudamel

Anthony Hopkins rekindles 60-year musical passion at 89 with orchestral album conducted by Gustavo Dudamel

The two-time Oscar winner for 'The Silence of the Lambs' releases 'Life Is a Dream,' featuring 12 original compositions, through Decca Classics
Anthony Hopkins' 89-year-old plot twist: 'Life Is a Dream,' six decades in the makingDecca Classics releases album featuring 12 orchestral works, with maestro Gustavo Dudamel conductingScreen icon awakens a 60-year musical passionBritish acting legend 'Anthony Hopkins', 89, a two-time Academy Award...
| James choi
Witness True Madness in Folk Horror Classic ‘The Wicker Man: Final Cut’

Witness True Madness in Folk Horror Classic ‘The Wicker Man: Final Cut’

The canonical folk-horror film 〈The Wicker Man〉 (1973) will receive its first South Korean theatrical release on Aug. 19 in a 4K remastered restoration, 〈The Wicker Man: Final Cut〉 (hereafter 〈The Wicker Man〉).
| Chua-young
Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

High-level car chases even before he got his Class 1 license. In Na Hong-jin’s new work “Hope,” the film showcases the performance of the beloved Hyundai Stella, resurrected as a police car in the memories.
Na Hong-jin, the director who represents Korea’s unmatched auteur tradition, has finally unveiled his new film Hope . Released on Jan. 15, the movie seized theaters immediately, and it is a science fiction action thriller that depicts a desperate human battle against an unknown presence in the...
| James choi
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
A Meeting of K-Pop and Classical Music… Ryeowook and Wendy Take the Stage in the “SMClassics Tour”

A Meeting of K-Pop and Classical Music… Ryeowook and Wendy Take the Stage in the “SMClassics Tour”

Starting in Singapore and running through Thailand, Vietnam, and Canada, the “SMClassics” global tour
Breaking the Boundaries Between Classical and K-Pop: The Opening Chapter of the “SMClassics” Global TourK-Pop’s limitless expansion meets the grandeur of classical music. Under SM Entertainment, the classical and jazz label “SMClassics” teams up with K-Pop’s distinctive vocalists “Super Junior...
| James choi
Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

BIFAN is captivated by Lee Joon-ik’s vertical short-form work—a family drama starring Jung Jin-young and Lee Jeong-eun that aims to upend genre limits and is set for a theater release this Chuseok.
A master filmmaker “Lee Joon-ik” flipped screen conventions on their head. “Father’s Home-Cooked Meal”, first unveiled at the 30th “Bucheon International Fantastic Film Festival” , delivers an unprecedented visual jolt in the striking format of a “vertical short-form drama”, and sets out a new...
| James choi
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol