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Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

The film 〈Hope〉, among the most anticipated releases of 2026, finally opened domestically. Set to open on July 15, 〈Hope〉 held a press preview screening and press conference on Monday, July 6 , at Megabox COEX in Gangnam, Seoul.
| Seongchan Eol
Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Director Kim Tae-yong’s work ‘Number One’ adds Kim Jun-han’s voice to a barrier-free version produced for people with visual and hearing impairments “Thank you for inviting me to take part in a meaningful project that shares warm-hearted feelings,” he said, joining efforts to break down barriers Produced with support including HD Hyundai Oilbank, the barrier-free version will meet viewers starting in late August through community screenings and booking requests
Kim Jun-han lent his voice so the sincerity of 〈Number One〉 could reach more people. The non-profit organization the Barrier-Free Film Commission held a voice-over recording session at the Seoul Economic Development Institute’s Media Content Center in Seoul last June for the production of a...
| Seongchan Eol
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

Philippe Bober, producer of 〈Triangle of Sadness〉 and 〈The Square〉, joins as co-producer
Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...
| Kim Ji-yeon
'Killer Shop’ Season 2 director Lee Kwon on why Jang Jin-man disappeared that day, as viewers wonder

'Killer Shop’ Season 2 director Lee Kwon on why Jang Jin-man disappeared that day, as viewers wonder

Disney+ megahit series ‘Killer Shop’ returns with plans for Season 2 after two years, and director Lee Kwon shares his thoughts The shifting relationship between returning star Lee Dong-wook (Jin-man) and an awakened Kim Hye-yoon (Jian), plus a full reveal of the villain group ‘Babylon,’ are set to be unveiled An unavoidable showdown between ‘Murder Help’ and ‘Babylon’ as the universe expands—Disney+ premieres exclusively in July
Director Lee Kwon of 〈 Killer Shop 〉, currently in production for Season 2, laid out the series’ starting point. Disney+ original series 〈 Killer Shop 〉 is gearing up to produce Season 2 two years after the first season, drawing strong anticipation from viewers.
| Seongchan Eol
Why Is Yoon Kyung-ho's First Greeting So Funny? 😂 #Husbands in Action #Netflix

Why Is Yoon Kyung-ho's First Greeting So Funny? 😂 #Husbands in Action #Netflix

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| Oh Han-joo
Yoon Kyung-ho Had the Bodyguard Cracking Up

Yoon Kyung-ho Had the Bodyguard Cracking Up

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| Oh Han-joo