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Search results for "Director Kim Min-ha"

[Photo &] On His First Visit to Korea, Director Stephen Daldry Praises “Billy Elliot” Korean Performers as World-Class — Press Conference Scene

[Photo &] On His First Visit to Korea, Director Stephen Daldry Praises “Billy Elliot” Korean Performers as World-Class — Press Conference Scene

A powerful debut of the Korean production from Stephen Daldry, the original creative director. A behind-the-scenes look at Elton John’s musical proposal, and the value of the performing arts in the AI era!
[Photo News] Live Art in Real Time — the Overwhelming Catharsis of the Musical 'Billy Elliot'Unlike film, the stage of the musical 'Billy Elliot' reveals the essence of live performance—dancing on and on until the actors reach their physical limits.
| James choi
‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

Korean Films Set Sights on the Palme d’Or for the First Time in Four Years…Park Chan-wook First to Serve as Jury Chair, and Jun Ji-hyun’s Return Project Added to the Good News
A Glorious Comeback for Korean Cinema, Taking Over the 79th ‘Cannes Film Festival’Korea’s film industry sent a triumphant signal at the 79th ‘Cannes Film Festival’, marking a spectacular return. It erased last year’s painful slump—when not a single invited title made it—in the ‘Competition...
| James choi
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
| Yangsimoh
“16 Million-Viewer Actor” Star Min Kim Makes His Debut With a Ceremonial First Pitch in Gwangju

“16 Million-Viewer Actor” Star Min Kim Makes His Debut With a Ceremonial First Pitch in Gwangju

“A True Honor for a Longtime Fan”… The “Fan Dream” Comes True… Min Kim’s “King Lives Like a King” Fandom Power Heads to the Ballpark
Actor Min Kim, the “16 million-viewer actor” for the film 〈The Man Who Lives with a King〉, makes his very first ceremonial first pitch of his career.Debut as a dedicated KIA Tigers fan—“fan dream” moment… First pitch wishing for victory in GwangjuMin Kim will step onto the mound as the ceremonial...
| Chua-young
Kim Hye-yoon’s “Sal-mok-ji” Takes #1 at the Box Office… Best Horror Opening Since “The Wailing”

Kim Hye-yoon’s “Sal-mok-ji” Takes #1 at the Box Office… Best Horror Opening Since “The Wailing”

Horror Sensation That Knocked Out Ryan Gosling and Jang Hang-jun… Draws 89,000+ on Day One
The horror film 〈Sal-mok-ji〉, starring actress Kim Hye-yoon, has claimed the top spot in the overall box office right upon release, causing a major stir in the horror genre as it spreads nationwide theaters in April.
| Chua-young
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
| Cineplay
Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Director Jang Hang-jun, who became the director with a blockbuster hit for the first time with “The Man Who Lives with a King,” has brought back the story he treasures most, “Rebound,” as it reopens in theaters on April 3, returning to this spring’s moviegoing scene.
| Chua-young
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
| Kim Ji-yeon
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
| Kim Ji-yeon