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Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

After 〈Spider-Man: No Way Home〉 wiped Peter Parker from everyone’s memory, 〈Spider-Man: Brand New Day〉 sends him into a lonelier, heavier new chapter — following Spider-Man, now living like a Marvel version of the reality series 'I Live Alone,' as he encounters a new enemy.
| Seongchan Eol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

One phrase immediately came to mind: Christopher Nolan has pushed past his own limits in 〈Odyssey〉, his adaptation of Homer’s 「The Odyssey」, which opens on Aug. 5. 「The Odyssey」 tells the story of King Odysseus’s return to his homeland of Ithaca after the Trojan War, a foundational epic that still...
| Seongchan Eol
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
| Joo Seong-cheol
124 million craze for “Love Hatchyoin 2” opens next month on May 5… This time, it’s time to save Mom

124 million craze for “Love Hatchyoin 2” opens next month on May 5… This time, it’s time to save Mom

A large roster of new characters joins the sea setting… With a glamorous OST lineup featuring Baek Ji-young and NCT WISH
Last year, the K-animation “Love Hatchyoin” swept through theaters, setting an astounding record of “12.4 million viewers,” and now returns on a far bigger scale. On April 21, SAMG Entertainment officially announced that the film “Love Hatchyoin: The Legend of the Whale Gem” (hereinafter, “Love...
| James choi
Lee Chang-dong's 'Possible Love' Invited to Toronto Film Festival's Special Presentations

Lee Chang-dong's 'Possible Love' Invited to Toronto Film Festival's Special Presentations

Starring Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jung; first-look stills released
Lee Chang-dong's first film in eight years, the Netflix feature 〈Possible Love〉, has been officially invited to the Special Presentations section of the 51st Toronto International Film Festival. 〈Possible Love〉 follows two couples—a laid-off worker and his wife, and a documentary director and her...
| Kim Ji-yeon
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
| James choi