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Search results for "Nature"

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...
| Chua-young
[Photo &] Park Myung-soo: “The Hardest Chapter in 35 Years of Broadcasting”…‘The Great Guide 3’ Extreme Survival Journey Unveiled at a Production Press Event

[Photo &] Park Myung-soo: “The Hardest Chapter in 35 Years of Broadcasting”…‘The Great Guide 3’ Extreme Survival Journey Unveiled at a Production Press Event

A brutal adventure unfolds in Ethiopia and Morocco. Raw survival footage from Africa that breaks through the lines between variety show and documentary—today’s first broadcast release
Four men face nature’s predators and dismantle the rules of variety TV There are people who leave the comfort of a studio and throw themselves into ‘the wild heart’. MBC Every1’s ‘The Great Guide 3’ refuses to treat the trip as a purely recreational outing.
| James choi
‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

Robert Pattinson as Antinous, hunting for the opening left behind by the non-returning Odysseus, said, “From the audience’s perspective, you find yourself imagining what it would be like to watch this film. I want to see it soon.”
With its domestic release set for Aug. 5, the film 〈Odyssey〉, hailed as one of the summer’s biggest must-sees, is drawing attention by unveiling an “On the Set” video that captures the vivid scenes from the shoot and the candid stories of the director and cast.
| Joo Seong-cheol
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

▶ This interview with Park Eun-bin on 〈The WONDERfools〉Part 1 continues below. “At its core, the series is about solidarity among flawed people. ” The characters grow through that process. How did you interpret and portray Chae-ni’s process of growth. Chae-ni was, after all, living on borrowed time.
| Kim Ji-yeon
'Supergirl' Jason Momoa Bets on 'Robo' Again, the Universe’s Ultimate Bounty Hunter—A New “Life Character” Moment!

'Supergirl' Jason Momoa Bets on 'Robo' Again, the Universe’s Ultimate Bounty Hunter—A New “Life Character” Moment!

He plays the infamous bounty hunter and first appeared in DC Comics’ 'Omega Men #3,' published in 1983.
After drawing 5 million viewers in South Korea in 2018 and sparking a sensation with the blockbuster 〈Aquaman〉, actor Jason Momoa, who won big love as “Aquaman,” is now set for a special transformation. Through 〈Supergirl〉, he takes on DC’s flagship antihero “Robo.
| Joo Seong-cheol
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
[Photo &] Breaks Cannes’ selfie ban… Meta AI smart glasses create a stir as the Meta House fills up with visitors

[Photo &] Breaks Cannes’ selfie ban… Meta AI smart glasses create a stir as the Meta House fills up with visitors

Shoot the red carpet in a first-person POV without a smartphone… Crowds of viewers pack the “Meta House” experience, complete with real-time translation.
Cannes has, since 2018, banned all selfie (self-camera) photography on the red carpet. It’s because such behavior undermines the dignity and order of the process of heading to the Lumière Grand Theatre. At the time, Thierry Frémaux, the executive director, sharply criticized selfie shooting as...
| James choi
[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.
We live in an era where influencers rise and fall every day. The dramatic advancement of social media and live-streaming platforms has brought us to a point where audiences can choose the stars they want, rather than being handed manufactured celebrities.
| Seongchan Eol