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“Girl Who Doesn’t Know Songs”: Sim Soo-bong Takes Aim at 17-Year-Old Kim Da-hyun, Then Apologizes After Website Crash

“Girl Who Doesn’t Know Songs”: Sim Soo-bong Takes Aim at 17-Year-Old Kim Da-hyun, Then Apologizes After Website Crash

The singer acknowledges inappropriate remarks directed at a junior performer 54 years her junior at a local festival and shares a story about “A Million Roses.”
Official website crashes after inappropriate remarks targeting 17-year-old junior singer at local festival Singer Sim Soo-bong, 71, officially apologized after facing intense criticism for directing the phrase “girl who doesn’t know songs” at 17-year-old singer Kim Da-hyun, who is 54 years her...

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.
‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

In its second week, the series landed on the Top 10 lists in 45 countries, including South Korea, Malaysia, Oman, the Philippines and Argentina.
The tracking thriller 〈Mousetrap〉, which follows novelist Moon Jae after a mysterious entity called “Mousetrap” steals his name, face and entire life, as well as loan shark No Ja, who is trying to recover lost money, and detective Sun-yong as they pursue the entity’s identity, has risen to No.
‘The King’s Man’ Showbox launches short-form label ‘Showbite,’ sets sights on 20 titles in second half

‘The King’s Man’ Showbox launches short-form label ‘Showbite,’ sets sights on 20 titles in second half

‘Taste of You’ premieres on the 11th as Showbox follows its ReelShort partnership and targets the global short-form ecosystem
Showbox, the studio behind a string of films that drew more than 10 million admissions, is making a full-scale entry into the short-form drama market. The investment and distribution company said on the 3rd that it had established ‘Showbite,’ a label dedicated to developing and producing short-form...
Netflix Series ‘Mousetrap’ Ranks No. 5 Among Global Top 10 Non-English Shows!

Netflix Series ‘Mousetrap’ Ranks No. 5 Among Global Top 10 Non-English Shows!

The series made the Top 10 list in 13 countries, including South Korea, Singapore, Indonesia and Qatar, underscoring its strong popularity.
‘Mousetrap’ is a tracking thriller about Moon-jae, a novelist who has his name, face and entire life stolen by a mysterious entity known as ‘Mousetrap’; No-ja, a loan shark trying to recover money he has lost; and detective Soon-yong as they pursue the truth behind Mousetrap.
1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

- Saturday, Aug. 29, at the Korean Film Archive main facility in Sangam-dong; winning works permanently archived by the Korean Film Archive - Grand Prize: "Sarinja Witjip Geunyeo" (editorial transliteration) — Lee Ju-seung · Actor Award: "Red Shadow" — Ji-woo - Excellence Award: "Betting Man: God's Eye" — Director Lee Saet-byeol · New Creator Award: "Gili Boimyeon Castinghae" (editorial transliteration) — Director Lee Yoo-jin - Invited film by Director Lee Joon-ik, "Father's Home-cooked Meal," opened with a theatrical screening and a Q&A
The inaugural Korea Short Drama Awards, jointly hosted by Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive , headed by Mo Eun-young, concluded Saturday, Aug. 29 at KOFA's main facility in Sangam-dong after a program aimed at discovering and supporting the next generation of K-content video...
Hwang Jae-gyun, Lee Jun-soo and Pani Bottle join Disney+’s ‘Tag Game,’ premiering next month on the 30th

Hwang Jae-gyun, Lee Jun-soo and Pani Bottle join Disney+’s ‘Tag Game,’ premiering next month on the 30th

A new series from ‘Blood Game’ producer-director Hyun Jung-wan turns a familiar childhood game into a survival pursuit competition
Disney+’s ‘Tag Game’ revealed: Twists in a 13-person survival contest Childhood innocence shattered in a thriller of extreme intelligence and physical strength Global streaming platform Disney+ is raising the stakes.
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...